ACA Mentoring Artist-in-Residency Program

ACA Mentoring Artist-in-Residency Program

New Smyrna Beach, FL, United States

Atlantic Center for the Arts offers an immersive, inter-disciplinary, tuition-free residency with artists only paying for room and board. Financial assistance is available for those who qualify.

The three-week Residency Program brings together three “Mentoring Artists” from different disciplines, such as the visual arts (painting, sculpture, photography, film/video, and multimedia), architecture, music (composition and performance), literature, choreography, dance, performance art, and theater. Each Mentoring Artist determines the requirements and basic structure of their residency, and through an online application process, they each may select up to eight “Associate Artists” to participate in the three-week program. The essence of the program is to provide a collegial environment for artists of all disciplines where they can engage in meaningful interaction and stimulating discussions, while pursuing individual or group projects. It is an ideal setting for the exchange of ideas, the inspiration for new work, and the cross-fertilization of disciplines. The programs can include formal classes, discussions, individual meetings, individual and group critiques, collaboration, and studio time. The award-winning Leeper Studio Complex provides residents with resources such as a painting studio, sculpture studio, digital media studio, dance studio, music/recording studio, writers’ studio, black box theatre and library.

Contact

1414 Art Center Ave.
New Smyrna Beach, FL 32168
United States

Year Founded
1982
Context
Rural
Residency Structure
Stand-alone
Residency Program Type
Studio-based (with housing)
Thematic
Community-engaged
Research
Experiential
Residency Length
0 s - 3 weeks
Languages
English
Average Number of Artists in Residence at a Time
27
Collaborative Residency
May apply as a team
Discipline
Architecture
Choreography
Criticism
Dance
Digital Media
Documentary
Drawing
Environmental Arts
Fiction
Graphic Design
Illustration
Installation Arts
Interdisciplinary Arts
Journalism
Literary Nonfiction
Literature
Mixed Media
Multimedia Arts
Music
New Genres
Nonfiction
Opera
Painting
Paper Arts
Photography
Playwriting
Poetry
Screenwriting
Social Practice
Sound Art
Storytelling
Symphony
Theater
Virtual Reality
Visual Arts
Writing
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
N/A
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Participate in open studio with fellow residents
How does your residency program support artists?
Opportunity to be in another context
Unstructured time
Access to studio space to create new work
Inspiration from natural environment
Inspiration from cultural context
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Additional Eligibility Information

Applicants must be over the age of 21 and must speak English. 

Number of Artists Accepted in Most Current Year
72
Artist Stipend
0
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
1350
US Dollar (USD)
Fee Details

The residency fee covers room and board for the artist for all three weeks. Travel, transportation, and artist materials are the responsibility of the artist. 
Scholarships are available. 

Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
25
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Pre-orientation
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Captions for videos
Accessible seating
Is your campus wheelchair accessible?
Partially Accessible
Additional Accessibility Information

Of the 28 rooms, four are designed to be handicap accessible suites with required accessibility features as well as an extra bed for a caretaker. Please notify an ACA staff member if you require the use of one of these units during a program, or if you have further questions about housing.

Caregiver/Aide/PCA
Housing available on campus
Accessibility Contact Name
ren morrison
Accessibility Contact Email
rmorrison@atlanticcenterforthearts.org
Accessibility Contact Phone Number
How much of the residency experience can artists with limited mobility participate?

Much of our studio complex, restrooms, and housing is accessible with limited mobility, including handicap parking. We don't have handicap-operated door openers thought our complex.

Please briefly describe the facilities and areas of the campus that are NOT accessible.

Going into remote areas of our property is not accessible.

Type of Housing
Private housing on campus (individual apartment/cabin/house)
Accessible Housing
Partially Accessible (50% or more)
Housing for Companion And/or Caregivers
Housing available
Accessible Communal Spaces
Universally designed
Additional Housing Information
Access to laundry on campus
WIFI available in housing
Air Conditioned Housing
Heat and Cool control managed by resident
Meals Provided
All meals
Additional Meals Information
Food allergies and restrictions can be accommodated
Computer/Internet Access
Wireless Internet (WIFI)
Ethernet provided in common area
Studios/Facilities Details

The Doris Leeper Studio Complex include the following: 

Joan James Harris Theater: The 2,500 square feet black box theater acts as a functional work and performance space for artists-in-residence. The design concept is to provide a space that can be manipulated to fit the changing needs of each residency. Events and performances are held in the round, as well as in a traditional theater-style seating arrangement. The theater is equipped with a professional lighting grid that can also be customized for each residency and performance. 

Charlotte Battle Everbach Painting Studio: The 1,885-square foot Painting Studio is fitted with large northern exposure windows and light monitors that can be opened to provide natural ventilation and light. Replaceable homosote panels let artists attach or mount many materials to the walls. Work tables and portable walls make the space extremely versatile and accommodating. Typically the painting studio is organized into a collegiate style arrangement of 6-8 cubicles with multiple clamp lights for each space.

Jim and Alexis Pugh Sculpture Studio: The 1,233 square foot Sculpture Studio gives artists-in-residence the space and equipment required to undertake ambitious projects. The space is the only concrete studio in the complex, which is symbolic of the enduring materials used by sculptors. The roof is designed with a long overhang that shelters an outdoor work patio. With its three roll-up doors opened, the space flows easily from interior to exterior. Large glass windows and louvers maximize working light, while wind scoops provide ventilation for an active studio. There are many tools in this studio for working with wood, metal, and many other materials. Other specialized tools can also be requested during ACA Residencies.

Helene B. Roberson Dance Studio: The 2,609 square foot dance studio is outfitted with a sprung wood floor and an expansive, wall-length mirror. The space also features magnificent sliding glass doors, which offer a great view to the lush landscape, access to a semi-private deck, and options for controlling the climate of the studio. The sides of the studio adjacent to more public areas are built with sand-blasted windows to provide privacy and diffuse lighting for dancers and choreographers.

Ruth Scorgie Hubbard Music Studio: The 1,000 square-foot Music Studio was designed to be both insular and uplifting. The tall, vertical space is outfitted with a large skylight that connects the musician to the Florida sky. Permanent and mobile sound panels are installed to reduce reverberation and to allow musicians to control the aural qualities of the room. Another smaller, isolated recording room allows multiple musicians to work on multiple projects simultaneously.

The Music Studio is equipped with a Steinway Model B Grand Piano and a wide range of recording equipment for musicians and multimedia artists. For a complete list of audio equipment, please contact Residency Coordinator Ivan Riascos iriascos@atlanticcenterforthearts.org.

Jean and Fredrick Raffa Writing Studio: The Jean and Fredrick Raffa Writing Studio was named in honor of longtime ACA friends, members, and supporters Jeanie and Fredrick Raffa in 2013. The studio was remodeled and includes all the amenities needed for writers of all disciplines. The 540 sq ft room features a 12 foot tall window overlooking the nature of ACA, a coffee bar, reading loft, conference table with seating for 10 and equipment for research and printing materials.

Wilkinson Resource Library: Overlooking Turnbull Bay, the 876-square foot library, provides a large reading room surrounded by shelves of books, periodicals, scores, CD’s, and videos. A spiral staircase leads to a loft that provides comfortable seating and a view of the tranquil bay. The library also contains a computer and wireless internet for online research, as well as a video viewing station. The library’s collection is continually growing through generous donations from artists in residence and members of the ACA community.

Thompson Field House Media Lounge: The Field House is one of the original working and living spaces of artists in residence. After the construction of the Leeper Studio Complex, the Field House has evolved into a media lounge that offers a 50” HDTV connected to popular streaming services allowing artists to share their multimedia projects and favorite films in a comfortable setting.

 

Studios/Special Equipment
Shared Studios
Performance/Presentation Facilities
Theater
Dance Studio With Sprung Floor
Piano
Printers + Scanner
Music/Media Studio Non-recording
Music/Media/Recording Facilities
Painting Workspace (Oil)
Woodworking Tools
Tablesaw
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
Air Conditioned

BOOM Concepts

Location

5139 Penn Avenue
Pittsburgh, PA 15224
United States

BOOM Concepts is a space for field building, knowledge sharing, mentorship, and storytelling.

Vision: Where all people are encouraged and have the tools / resources to live sustainable lives and have ownership over their ideas, crafts and community.

Mission: To provide a creative hub dedicated to the expansion of activity by artists and entrepreneurs representing black, brown, femme and queer communities.

Phone
Tag Words
Artist-led
Artist-founded
BIPOC-founded (Black, Indigenous and People of Color)
Open to artists based anywhere in the world
BIPOC-led (Black, Indigenous and People of Color)
Priority given to BIPOC artists (Black, Indigenous and People of Color)
ADA Compliant Campus + Facilities
Priority given to LGBTQI2A+ artists
Communities Served
Adults
Elders
Families
General Public
Indigenous/Native American Community
LGBTQI2A+ Populations
School Groups
Teens
Languages
English

Lucid Art Foundation

Ark Studio

Ark Studio

Lucid Art Foundation

Inverness, CA, United States

The goal of the Lucid Art Residency Program is to provide artists with a serene, retreat-like natural environment for creative exploration and inquiry into arts and consciousness.

 

The Lucid Art Foundation encourages exploration of art through multimedia, conceptual, ecological, and interdisciplinary approaches. During the residency (generally taking place from March to November of each year), artists will have the opportunity to explore the practice of lucid art, with special emphasis on the integration of art, process, and inner awareness. Through this practice, a deeper foundation is created that fosters individual artistic growth and development as well as the understanding of the artist's role in society.

 

Contact

1 Bishop Pine Preserve
Inverness, CA 94937
United States

Year Founded
1998
Context
Rural
Residency Structure
Stand-alone
Associated with a foundation
Residency Program Type
Studio-based (with housing)
Retreat
Research
Experiential
Residency Length
3 weeks - 3 weeks
Languages
English
Average Number of Artists in Residence at a Time
1
Collaborative Residency
May apply as a team
Discipline
Drawing
Mixed Media
Painting
Printmaking
Sculpture
Visual Arts
Installation Arts
Paper Arts
Textile & Fiber Arts/Weaving
Woodworking
New Genres
Poetry
Writing
Performance Art
Music
Film
Photography
Companions
Pets are not allowed
Family Friendly
Residents granted leave during residency
N/A
Stage of Career
Any stage of career
Additional Expectations/Opportunities
N/A
How does your residency program support artists?
Opportunity to be in another context
Opportunity to travel
Immersion in new culture and/context
Unstructured time
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Inspiration from natural environment
Inspiration from cultural context
Opportunities to develop relationships with local or regional artists/arts organizations
Other
Number of Artists Accepted in Most Current Year
9
Total Applicant Pool in Most Current Year
75
Artist Stipend
0
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
0
US Dollar (USD)
Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
40
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Pre-orientation
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Staff/volunteer giving directions
Is your campus wheelchair accessible?
Inaccessible
Additional Accessibility Information

The campus is not ADA complaint and we do not provided accessibility services.

Caregiver/Aide/PCA
N/A
Accessibility Contact Name
t.c. moore
Accessibility Contact Email
moore@lucidart.org
Accessibility Contact Phone Number
Other Services/Aids Offered in Residency + Other Programming

We do not provided accessibility services

Please briefly describe the facilities and areas of the campus that are NOT accessible.

The site is heavily wooded, steep in parts with unpaved walkways and all buildings entrances have multiple steps and stairways.

Type of Housing
Private housing on campus (individual apartment/cabin/house)
Accessible Housing
Inaccessible
Housing for Companion And/or Caregivers
N/A
Accessible Communal Spaces
N/A
Additional Housing Information
Access to laundry on campus
WIFI available in housing
Heat and Cool control managed by resident
Meals Provided
Residents have access to private kitchen
No meals are provided
Additional Meals Information
N/A
Computer/Internet Access
Wireless Internet (WIFI)
Studios/Facilities Details

Artists-in-residence are provided with a space to live (the former studio of late writer Jacqueline Johnson) and a 650-square-foot art studio called “the Ark.” The Ark was built in 1960 and was a former studio of painter Gordon Onslow Ford and mixed media artist Fariba Bogzaran. The large studio (pictured above) has a wood burning fireplace, restroom, sink, high ceilings with upper loft, wood walls, skylights, and a private deck off the sliding glass patio doors. The cottage has WiFi, a bedroom, living room, bathroom, wood burning stove, continuous wooden deck, and a full kitchen stocked with necessary cooking utensils. Parking and laundry facilities are onsite. There is also a print shop with a Sturges press available for use by artists who are experienced printmakers. Only water-based mediums may be used on the press.

Studios/Special Equipment
Private Studios
Printers + Scanner
Printmaking Workspaces
Drying Racks
Hot Plates
Paper Soaking Sinks
Paper Tearing Table
Washer And Dryer
Studios/Facilities Accessibility
Inaccessible
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
On-call Studio support provided
Heat and Cool control access

Tournesol Award

Tournesol Award

Contact
Context
Urban
Remote
Residency Structure
Embedded in a national park or land trust
Residency Program Type
Studio-based (no housing)
Residency Length
1 year - 1 year
Languages
English
Average Number of Artists in Residence at a Time
1
Collaborative Residency
Must apply and be accepted individually
Discipline
Painting
Companions
Pets are not allowed
Country of Residence
Only open to artists based in country the program is located
Family Friendly
Residents granted leave during residency
Stage of Career
Emerging
Additional Expectations/Opportunities
Participate in public programming
Participate in open studio with fellow residents
How does your residency program support artists?
Opportunity to be in another context
Unstructured time
Unrestricted funding
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Inspiration from natural environment
Opportunities to develop relationships with local or regional artists/arts organizations
Opportunities to develop relationships with other artists/residents
Opportunities to exhibit or perform new work
Additional Eligibility Information

The Tournesol Award recognizes an emerging Bay Area painter in support of establishing and maintaining a career in the region. The Award supports a full year of artistic development, and includes a $10,000 stipend, a private studio, and a culminating exhibition or project of the artist’s choice.

Number of Artists Accepted in Most Current Year
1
Artist Stipend
10000
US Dollar (USD)
Travel Stipend/Material Stipends
Residency Fees
Grant/Scholarship/Other Funding Support
Application Fee
Application Type
Open application
What does your program provide during the residency experience?
Pre-orientation
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Staff/volunteer giving directions
Staff/volunteer providing guidance to help locate facilities or activities
Is your campus wheelchair accessible?
Partially Accessible
Additional Accessibility Information

While a good deal of Headlands' campus and housing facilities are on ground floors and wheelchair accessible, not all aspects of Headlands' buildings, campus and surrounding park are fully accessible. There are no elevators in Headlands' buildings and there are unpaved trails and paths throughout the campus and park. Headlands can and has accommodated artist residents using wheelchairs in ground floor living spaces and with ground floor studios. Artist meals are shared in a ground floor space. Headlands is committed to being open to and accessible to all artists.

First-floor spaces in Building 944 (Mess Hall, Key Room, and Latrine) are accessible to people with mobility aids. Second- and third-floor spaces (Westwing, Eastwing, Rodeo Room, and Project Space) are currently accessible only by stairs. Note that there is a steep hill from the MUNI 76X bus stop up to the Headlands campus. During our seasonal Open Houses, special accommodations can be made for those arriving via public transportation.

Caregiver/Aide/PCA
No housing accommodations available
Accessibility Contact Name
Holly Blake
Accessibility Contact Email
hblake@headlands.org
Other Services/Aids Offered in Residency + Other Programming

We offer 2 communal artist cars for local trips.

How much of the residency experience can artists with limited mobility participate?

Dining, woodshop, and some studio spaces are accessible.

Please briefly describe the facilities and areas of the campus that are NOT accessible.

Some studio spaces, the artist library and public rooms on the upper floors of buildings are not currently accessible.

Type of Housing
No housing provided
Accessible Housing
N/A
Housing for Companion And/or Caregivers
N/A
Accessible Communal Spaces
N/A
Common/Communal Spaces Information

Dining hall, bathroom, outdoor gathering area are accessible.

Meals Provided
Some meals (at least 2 meals provided)
Additional Meals Information
Vegan meal options can be requested
Vegetarian meal options can be requested
Gluten-free meal options can be requested
Kosher and halal options can be requested
Food allergies and restrictions can be accommodated
Computer/Internet Access
Computer and internet connection provided in common area (shared)
Computer and internet connection provided in studio area (private)
Wireless Internet (WIFI)
Studios/Facilities Details

Artists Studios are located within several buildings on campus. Former military barracks, Buildings 944 and 945 boast 13-foot ceilings, large windows, period detail, and hardwood floors and house 100 to 1800 square foot studios.

Studios/Special Equipment
Private Studios
Dedicated Studio/Shop Technicians - Part Time
Soldering Workspace
Bench Grinder
Printers + Scanner
Painting Workspace (Oil)
Dedicated Wood Shop
Woodworking Tools
Tablesaw
Bandsaw
Router Table
Planer
Wood Vises And Wood Working Table
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
On-call Studio support provided

Penland Resident Artist Program

Glass artist Kit Paulson works at the torch in her studio

Glass artist Kit Paulson works at the torch in her studio

Resident artist Andrew Meers forms hot steel

Resident artist Andrew Meers forms hot steel

Silversmith Adam Whitney hammers a copper form over a series of stakes

Silversmith Adam Whitney hammers a copper form over a series of stakes

Penland Resident Artist Program

Penland, NC, United States

Penland’s Resident Artist Program, established in the 1960s, is one of the longest running residencies in the US. The program is designed for professional craft artists who are at a pivotal moment in their creative practice or career—the residency is an opportunity for them to pursue objectives that will have a lasting effect on their work and their lives. Depending on the nature of an applicant’s goals, we now offer two options for interested candidates.

  • 1-year project based residency; artists submit a project proposal and may use the time  to push technical and conceptual boundaries, to conduct research and development in a particular topic or process, or to explore an entirely new aspect of their work.  
  • 3-year career transition residency; artists submit objectives to advance their studio practice, to work out the practicalities of making a living, or to make a formative transition in their career path.
Contact

PO Box 37
Penland, NC 28765
United States

Year Founded
1968
Context
Rural
Remote
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in a craft school
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Residency Length
1 year - 3 years
Languages
English
Average Number of Artists in Residence at a Time
7
Collaborative Residency
May apply as a team
Discipline
Blacksmithing
Book Arts
Ceramics/Clay Arts/Pottery
Drawing
Fine Metals/Jewelry
Glass Arts
Installation Arts
Mixed Media
Painting
Paper Arts
Photography
Printmaking
Public Art
Sculpture
Textile & Fiber Arts/Weaving
Woodworking
Companions
Pets (Non-service animals)
Country of Residence
Open to artists based anywhere in the world
Family Friendly
Residents granted leave during residency
Spouses/partners allowed for full stay (non-collaborators)
Children allowed for full stay
Stage of Career
Mid-career
Established
Additional Expectations/Opportunities
Donate a work of art
Participate in public programming
Participate in open studio with fellow residents
Give artist talk or presentation
How does your residency program support artists?
Opportunity to be in another context
Immersion in new culture and/context
Unstructured time
Art production support
Access to studio space to create new work
Access to training on new artistic techniques and/or apprenticeship
Inspiration from natural environment
Inspiration from cultural context
Professional development support and/or trainings
Opportunities to develop relationships with local or regional artists/arts organizations
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Opportunities for work with the local community
Opportunities to exhibit or perform new work
Additional Eligibility Information

We encourage self-motivated, focused individuals working in traditional and nontraditional studio crafts to apply for a residency. No prior connection to the school is required to apply. Penland celebrates varied ideas, world views, and personal characteristics, and is committed to being an organization that welcomes and respects everyone regardless of age, ability, ethnicity, race, religion, philosophical or political beliefs, sexual orientation, gender identity or expression, nationality, geographic origin, and socioeconomic status.

Applications are reviewed by a national committee of artist peers, curators, educators, and other arts professionals who are knowledgeable about material-based work and the craft field in general and/or understand what it takes to be successful in a self-directed residency. Panelists rotate frequently to bring a range of new perspectives to the application process, and creating a diverse group of residents is one of the stated goals of selection. 

 Applications are evaluated using the following criteria:

  • We factor equity and diversity into all of our decision making.
  • Portfolios are scored in these three areas: innovation, intention, and skill.
  • Applications must present a clear, compelling proposal for a 1-year project or 3-year objectives that can be well supported, informed, and inspired by a residency at Penland.
  • CVs are reviewed to determine if a candidate is actively engaged in professional artistic practices.
  • The particular qualities of the available studios and a balance of media will also be a factor.

All media taught at Penland are considered appropriate for the Resident Artist Program: books, clay, drawing/painting, glass, letterpress, iron, metals, papermaking, photography, printmaking, textiles, wood. Most resident studios are not media specific; however, the particular qualities of the available studios and the balance of media represented by the current group of resident artists sometimes limits each year’s openings to a range of media.

The experience of living at Penland is shaped in many ways by its rural location, its mountainous terrain, and by the age and nature of the facility. A successful residency depends in part on expectations consistent with what Penland has to offer.

 

Number of Artists Accepted in Most Current Year
4
Total Applicant Pool in Most Current Year
119
Artist Stipend
0
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
0
US Dollar (USD)
Fee Details

There is no cost to residents for housing, studio space, or utilities.

Artists are responsible for providing tools and equipment vital to their daily studio practices; resident artist studios are simply raw studio spaces. 

Artists are responsible for travel expenses to and from Penland

Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
30
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Pre-orientation
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Full description of accessibility on campus
High contrast, clear way-finding and/or signage
Is your campus wheelchair accessible?
Partially Accessible
Additional Accessibility Information

The Penland campus is located on uneven, hilly terrain that poses accessibility challenges. The following studios are wheelchair accessible: books, clay, drawing and painting, glass, iron, letterpress and printmaking, lower metals, photography, papermaking, and wood. The upper metals studio and both textiles studios have stairs that limit access; both are made partially accessible by stair lifts that will lift a person but not a wheelchair or other mobility aids.

Housing that meets ADA standards is available in Arbor House and in some units in The Roost, Dorm 54, Radcliffe, and the Sleeping Cabins. Accessible parking is found at the dining hall and at all studios. Several golf carts are available for use on campus.

While we do our best to accommodate all students, we know that our campus is not accessible for everyone. We are happy to talk with you about what our campus can or cannot do in this regard. Please contact our registrar to discuss in more depth how we can help you come to Penland: 828-765-2359, ext. 1306 or registrar@penland.org. And please know that improved access is part of our long-range campus planning.

We are working on adding more detailed accessibility information to this page. Please check back.

Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Leslie Noell
Accessibility Contact Email
creativedirector@penland.org
Accessibility Contact Phone Number
Type of Housing
Private housing on campus (individual apartment/cabin/house)
Accessible Housing
ADA Compliant
Partially Accessible (50% or more)
Inaccessible
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
ADA Compliant
Inaccessible
Additional Housing Information
Access to laundry on campus
Access to laundry in housing
WIFI available in housing
Heat and Cool control managed by resident
Meals Provided
Some meals (at least 2 meals provided)
Residents have access to private kitchen
Additional Meals Information
Vegan meal options can be requested
Vegetarian meal options can be requested
Computer/Internet Access
Computer and internet connection provided in common area (shared)
Computer and internet connection provided in studio area (private)
Wireless Internet (WIFI)
Studios/Facilities Details

The Resident Artist studios are clustered in and around a converted historic dairy barn and are located about half a mile down the road (a five minute walk) from Penland’s main campus. All studios have an open floor plan with one or two smaller areas for storage or dedicated use. Each studio is unique and each has its own idiosyncratic features in keeping with the age of the building and the fact that it wasn’t originally designed to be artists’ studios. Five of the studios are on the ground floor and have concrete floors; two of the studios are only accessible by stairs and have wood floors; each studio has a utility sink and access to a shared restroom. The average studio size is about 800 square feet. Each artist enjoys 24-hour access to their private studio.


Residents are responsible for outfitting their studios with equipment and tools relevant to their daily studio practice. Studios are not furnished, and each new resident will find a blank slate when they arrive. One-year residents must bring the tools and equipment they need to pursue their proposed project. Three-year residents bring everything they need to produce work and usually spend the first several weeks of their residencies setting up their studios before they begin to produce work. Our staff works closely with each new resident artist to make sure their studio meets basic needs in terms of utilities and safety; staff can also provide support for installing specialized or heavy equipment, accepting freight deliveries, and troubleshooting electrical or ventilation needs.

Studios/Special Equipment
Private Studios
Studios/Facilities Accessibility
Partially Accessible (50% or more)

Studio Workspace Residency

Studio Workspace Residency

Kingston, NY, United States

The Studio Workspace Residency is an opportunity for artists to create new work and fully immerse themselves in WSW’s supportive environment. We invite applications from artists at any stage of their careers. This residency gives artists the gift of time, an uninterrupted period to live and work away from the stresses of daily life. Artists may choose to work in any one or more of our studios: intaglio, letterpress, papermaking, screenprinting, darkroom photography, or ceramics (facilities reopen 2026).

Artists receive a thorough studio orientation and are expected to work independently, although studio staff is available to provide assistance. Deep technical assistance can be arranged for an additional fee. Artists must provide their own materials, some of which can be purchased from WSW.

As of 2019, all workspace residencies are fully subsidized! This means that while artists are still responsible for their own travel, materials, meals, and other personal incidentals while in residence, WSW provides housing and studio space at no cost.

Contact

PO Box 489
Rosendale, NY 12472
United States

Year Founded
1974
Context
Rural
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Residency Length
4 weeks - 6 weeks
Languages
English
Average Number of Artists in Residence at a Time
4
Collaborative Residency
May apply as a team
Discipline
Book Arts
Interdisciplinary Arts
Multimedia Arts
Paper Arts
Printmaking
Visual Arts
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
N/A
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Give artist talk or presentation
How does your residency program support artists?
Opportunity to be in another context
Unstructured time
Restricted funding
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Additional Eligibility Information

Since our founding in 1974, Women’s Studio Workshop has been a professional artist studio dedicated to the creation of community, opportunity, empowerment, and development for women artists in all stages of their careers.  As we continue to serve this mission, we believe that we can honor our core values and address gender equity more fully by explicitly expanding our concept of gender beyond patriarchal frames of reference. 

WSW supports all women, trans, intersex, nonbinary, and genderfluid people in residencies and internships. Classes, studio rentals, and public events are open to all.

What does this mean when you visit the studio and stay on campus? 

  • we intentionally create space to honor pronouns and names
  • we uphold a set of community guidelines and have systems in place to report conflict
  • we firmly believe in fostering an environment of communication, exploration, and bold expression that is respectful, safe, and accepting of all the members of our community.
Number of Artists Accepted in Most Current Year
6
Total Applicant Pool in Most Current Year
175
Artist Stipend
0
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
0
US Dollar (USD)
Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
0
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Staff/volunteer providing guidance to help locate facilities or activities
Contact info for accessibility requests for event/programming
Is your campus wheelchair accessible?
Partially Accessible
Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Carlie Waganer
Accessibility Contact Email
carlie@wsworkshop.org
Accessibility Contact Phone Number
How much of the residency experience can artists with limited mobility participate?

Intaglio, papermaking, book arts, and letterpress studios are wheelchair accessible.

Please briefly describe the facilities and areas of the campus that are NOT accessible.

Some artist apartments are inaccessible, upstairs silkscreen studio and offices are inaccessible.

Type of Housing
Private housing on campus (individual apartment/cabin/house)
Accessible Housing
Partially Accessible (50% or more)
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
ADA Compliant
Common/Communal Spaces Information

Wheelchair accessible common room, kitchen, bathroom, and laundry spaces.

Additional Housing Information
Access to laundry on campus
Meals Provided
Residents have access to shared kitchen
Residents have access to private kitchen
Additional Meals Information
N/A
Computer/Internet Access
Wireless Internet (WIFI)
Studios/Facilities Details

WSW has been making quality handmade papers since 1979. Our Papermaking studio is designed for sheet-forming processes, low relief, and three-dimensional work.

In 1999, WSW began the ArtFarm program, which allows us to grow our own fibers  for hand papermaking. Through ArtFarm we’ve now tested over one hundred native and invasive species for their fiber strength, coloring capacity, print worthiness, and translucency.

Papermaking Studio Equipment List

  • 1000 sq. ft. studio space
  • Two 1-1/2 lb. Hollander beaters: one David Reina and one custom built
  • 30″ x 40″ hydraulic press
  • Vats up to 22″x 28″
  • 4′ x 6′ custom stainless steel vacuum table
  • A variety of moulds and deckles including small sugetas
  • 30″ x 40″ stack dryer
  • Outdoor cooking facility for fibers and dyes

In WSW’s Silkscreen studio, artists can screenprint on paper or fabric, using traditional or photo techniques. We only use water based/acrylic media. For a fee, we can also make screens for artists who are working on projects outside of our studios.

Silkscreen Studio Equipment List

  • 900 sq. ft. studio space
  • Exposing table 33″ x 45″
  • Drying rack 45″ x 68″
  • Wide range of screens up to 3′ x 4′
  • Power washer
  • Photo facilities for images up to 30″ x 40″
  • 32 linear feet of textile printing surface
  • Squeegees from 4″ to 34″

WSW’s Letterpress studio is equipped to handle projects that employ handset lead or wood type; photopolymer plates; wood or linoleum block; and die cut imagery.

Letterpress Studio Equipment List

  • 11″ x 18″ Chandler and Price platen press
  • Two 14″ x 18″ Vandercook Proof press No. 3 (manual)
  • One 19″ x 26″ Vandercook SP20 (electric)
  • A variety of lead and wooden typefaces
  • 9″ x 12″ magnetic base
  • 13″ x 24″ Line-O-Scribe proof press
  • Vacuum platemaker 23.5″ x 29.5″

Rather than use traditional acids to etch plates, Women’s Studio Workshop uses non-toxic materials: ferric chloride for copper and salt etch for aluminum and zinc. We generally stock copper and plastic plates, along with a selection of fine print and handmade papers.

Etching Studio Equipment List

  • 1200 sq. ft. studio space
  • Two Charles Brand press, 30″ x 50″ and 26″ x 48″
  • 18″ x 22″ viscosity rollers
  • A separate ventilated acid room with a 4’ x 29” workspace and stainless steel sink
  • Hot plate 20”x 24”
  • Flexible shaft rotary tool
  • 18″ x 24″ vertical tank with Ferric Chloride
  • Etching trays up to 25″ x 30″
  • Drying rack 30″ x 46″
  • Damp/dry box 28″ x 42″
  • Glass top inking table 26″ x 8′
  • Photopolymer platemaking capacity up to 23″ x 29″

WSW’s Book Arts equipment allow artists to create and bind work, ranging from the simplest saddle-stitched book to the finest codex.

Book Arts Studio Equipment List

  • Electric guillotine 33″ throat
  • Board shear (Jacques) 40″
  • Two book presses: 10″ x 13″ and 11″ x 16″
  • English sewing frame
  • English cutting frame
  • Standard wooden press
  • Cradles
  • Spiral binder
  • Saddle stitcher

WSW maintains a complete black and white darkroom, as well as limited digital facilities that may be used by special request. Artists can comfortably print up to 16”x 20” in this space.

Darkroom Studio Equipment List

  • Two Omega D2 enlargers with 35mm to 4″ x 5″ negative capacity
  • Omega B22XL enlarger
  • Bessler 4″ x 5″
  • Dry mount facilities
  • Contact frames up to 20″ x 25″
  • Saunders easels 11″ x 14″ and 24″ x 24″
  • Focus scopes
  • 100″ sink
  • Trays to 20″ x 24″

Artists working in any of our studios have access to the digital resources in our studio with assistance from a trained staff person. Additional resources are available through our relationship with the SUNY New Paltz Digital Fabrication Lab, and can be arranged on a case-by-case basis.

In-Studio Digital Resources List

  • 28″ Vinyl Plotter and Editing Software
  • 24″ Epson Printer
  • Large format scanner
  • HP Color Laser Printer
  • Kyocera Black and White Inkjet Printer
  • Xerox Machine
  • Adobe Creative Suite
Studios/Special Equipment
Shared Studios
Exhibition / Installation Space
Darkroom (Black And White)
Darkroom (Color)
Large Format Printer / Plotter
Large Format Scanner
Printers + Scanner
Photo + Video Editing Suite
Printmaking Workspaces
Book Arts Facilities
Etching Press
Glass Inking Table
Drying Racks
Hot Plates
Paper Soaking Sinks
Paper Tearing Table
Acid Room
Silkscreen Studio
Light Tables
Large Sinks
Large Exposure Unit
Washout Room
Papermaking Studio
Dye Area
Other
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
Studios/facilities Details

Penland Core Fellowship Program

Core fellow Lars Shimabukuro working in the Penland wood studio

Core fellow Lars Shimabukuro working in the Penland wood studio

Core fellows Daniel Beck and Seth Gould working together in a blacksmithing workshop

Core fellows Daniel Beck and Seth Gould working together in a blacksmithing workshop

Core Fellow Tony Santoyo working between a large painting and ceramic surfaces

Core Fellow Tony Santoyo working between a large painting and ceramic surfaces

Penland Core Fellowship Program

Penland, NC, United States

The Penland Core Fellowship Program is a two-year work-study fellowship for early career artists looking to expand technical skills and material fluency while working to support the day-to-day operations of a craft school. Artists of all backgrounds who want to advance their educational goals and explore their capacity to contribute to a thriving creative community are encouraged to apply. The goal of the program is to shape the future of contemporary craft by creating opportunity, connection, and immersive education for early career artists who bring a range of perspectives and goals to the school.

Penland core fellows fully engage with Penland by taking several workshops each year in familiar or new media, and performing integral jobs for the school. Penland’s ever-changing learning environment allows core fellows to study with world-class teaching artists from all over the US and abroad; this is a unique opportunity to create an educational path that responds to individual goals. The program can serve as preparation for careers in creative, non-profit, educational, and entrepreneurial sectors. A measure of the program’s success is the number of core fellows who have gone on to make a life in craft. To date over 200 people have participated in the program, and about 80% are practicing artists or professional contributors to the field of craft today.

The work that core fellows do for the school—jobs such as weekend cook, and entertainment coordinator—places them at the heart of Penland’s daily operations and gives them an opportunity to develop leadership skills and connect with artists from all over by working cooperatively towards a common goal. Core fellows are often a bridge between the staff and the studios and serve a unique role in helping others have a meaningful experience at Penland.

Core fellows live and work together and often learn as much from each other as they do from their instructors and mentors. In the process, they have a chance to form close friendships and often become part of each other’s lifelong creative and professional networks.

Contact

PO Box 37
Penland, NC 28765
United States

Year Founded
1970
Context
Rural
Remote
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in a craft school
Residency program within a school, college or university
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Retreat
Experiential
Residency Length
2 years - 2 years
Languages
English
Average Number of Artists in Residence at a Time
8
Collaborative Residency
N/A
Discipline
Drawing
Mixed Media
Painting
Printmaking
Sculpture
Blacksmithing
Book Arts
Ceramics/Clay Arts/Pottery
Costume/Fashion Design
Fine Metals/Jewelry
Glass Arts
Paper Arts
Textile & Fiber Arts/Weaving
Woodworking
Photography
Companions
Pets are not allowed
Country of Residence
Only open to artists based in country the program is located
Family Friendly
N/A
Stage of Career
Emerging
Additional Expectations/Opportunities
Participate in open studio with fellow residents
Give artist talk or presentation
How does your residency program support artists?
Opportunity to be in another context
Immersion in new culture and/context
Art production support
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Access to training on new artistic techniques and/or apprenticeship
Inspiration from natural environment
Inspiration from cultural context
Professional development support and/or trainings
Opportunities to develop relationships with local or regional artists/arts organizations
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Opportunities for work with the local community
Opportunities to exhibit or perform new work
Additional Eligibility Information

Applications are reviewed by a national panel of curators, educators, and other arts professionals as well as Penland staff. Panelists rotate each year to bring a range of new perspectives to the application process, and creating a diverse group of fellows is one of the stated goals of selection.

Specifically, applications will be reviewed with the following goals in mind:

  1. Program Goals

    We believe the Core Fellowship Program can shape the future of contemporary craft by providing access to artists who can benefit from what this program has to offer—especially artists who have historically been underrepresented at the school and within the field of craft. 
  2. Collaboration and Group Dynamic

    Core fellows share a house and are involved in collaborative tasks and decision-making along with the normal complexities of group living. They also work and take classes with a constantly changing community of instructors and students. We are looking for participants who can thrive as part of a group and community but also know when and how to step away and recharge as needed. Our goal is to bring together a diverse group of artists with a range of experience, perspectives, strengths, and goals. It is also important that the interests of each core group span a range of media taught at Penland.
  3. Relevant Experience

    Core fellows are asked to do many different kinds of work, ranging from basic physical labor to supervisory tasks. They must be adaptive to changing tasks and situations and committed to working cooperatively and confidently, sometimes with minimal direction or supervision. Penland staff will review each candidate’s application, CV, and reference to evaluate relevant experience (employment, internships, or volunteer work) and specific skills and accomplishments (what kind of work you have done, what contributions you have made, the consistency of your commitments, practical and/or supervisory experience). In addition to work experience, life experience and self-motivation are assets for this program. 
  4. Artwork

    We are looking for work that shows a strong foundation and enough direction to tell us that the candidate will be able to take advantage of what this unique program offers. The review panel will score each portfolio in the following areas: proficient and/or intentional execution; clear/unique point of view; inquisitiveness and versatility; their interest in the work and its potential for growth. Candidates must be interested in working with materials and processes that are at the heart of our immersive workshops.
Number of Artists Accepted in Most Current Year
4
Total Applicant Pool in Most Current Year
130
Artist Stipend
13000
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
25
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Pre-orientation
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Links to resources, effective practices, grievance procedures, etc.
High contrast, clear way-finding and/or signage
Is your campus wheelchair accessible?
Partially Accessible
Additional Accessibility Information

The Penland campus is located on uneven, hilly terrain that poses accessibility challenges. The following studios are wheelchair accessible: books, clay, drawing and painting, glass, iron, letterpress and printmaking, lower metals, photography, papermaking, and wood. The upper metals studio and both textiles studios have stairs that limit access; both are made partially accessible by stair lifts that will lift a person but not a wheelchair or other mobility aids.

Housing that meets ADA standards is available in Arbor House and in some units in The Roost, Dorm 54, Radcliffe, and the Sleeping Cabins. Accessible parking is found at the dining hall and at all studios. Several golf carts are available for use on campus.

While we do our best to accommodate all students, we know that our campus is not accessible for everyone. We are happy to talk with you about what our campus can or cannot do in this regard. Please contact our registrar to discuss in more depth how we can help you come to Penland: 828-765-2359, ext. 1306 or registrar@penland.org. And please know that improved access is part of our long-range campus planning.

We are working on adding more detailed accessibility information to this page. Please check back.

Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Ian Henderson
Accessibility Contact Email
operationsdir@penland.org
Accessibility Contact Phone Number
Type of Housing
Private bedroom in a shared housing facility on campus
Accessible Housing
ADA Compliant
Housing for Companion And/or Caregivers
No housing accommodations available
Accessible Communal Spaces
ADA Compliant
Additional Housing Information
Access to laundry in housing
WIFI available in housing
Heat and Cool control managed by resident
Meals Provided
Some meals (at least 2 meals provided)
Residents have access to shared kitchen
Additional Meals Information
N/A
Vegan meal options can be requested
Vegetarian meal options can be requested
Computer/Internet Access
Computer and internet connection provided in common area (shared)
Computer and internet connection provided in studio area (private)
Wireless Internet (WIFI)
Studios/Special Equipment
Shared Studios
Dedicated Studio/Shop Technicians - Full Time
Exhibition / Installation Space
Ceramics Workspace
Electric Wheels
Kick Wheels
Slab Roller
Clay Mixers
Plaster Room
Raku Kiln
Electric Kiln
Gas Kiln
Glass Blowing Workspace
Glass Casting
Dedicated Metal Shop
Heavy Metals / Blacksmithing
Fine Metals / Jewelry Making
Jeweler’s Bench
Anvils, Stakes + Hammers
Hydraulic Press
Soldering Workspace
Gas/Oxy Torches
Acetylene/Air Torches
Soldering Picks+Tweezers
Solderite Boards
Finishing Room
Bench Grinder
Buffing Machine
Bead Blaster
Casting Room
Enameling Kilns
Electroforming + Etching Room
Darkroom (Black And White)
Lighting Studio/Green Screen
Large Format Printer / Plotter
Printers + Scanner
Photo + Video Editing Suite
Painting Workspace (Oil)
Easels
Drawing Benches
Printmaking Workspaces
Book Arts Facilities
Etching Press
Glass Inking Table
Drying Racks
Aquatint Box
Hot Plates
Metal Plate Shear
Paper Soaking Sinks
Paper Tearing Table
Acid Room
Silkscreen Studio
Lithography Studio
Large Sinks
Large Exposure Unit
Washout Room
Papermaking Studio
Textiles Workspace
Floor Looms
Fiber Arts Workspace
Dye Area
Padded Screen Print Tables
Hooded Dye Mixing Station
Drying Room
Washer And Dryer
Dedicated Wood Shop
Woodworking Tools
Tablesaw
Bandsaw
Router Table
Wood Bending Equipment
Jointer
Planer
Wood Vises And Wood Working Table
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
Studios/facilities Details

Penland Winter Residency

Glass artist Ying Chiun Lee working in the hot shop during Winter Residency

Glass artist Ying Chiun Lee working in the hot shop during Winter Residency

Winter resident Vivian Chiu gets some assistance on the lathe from wood studio staff

Winter resident Vivian Chiu gets some assistance on the lathe from wood studio staff

Winter resident Nastassja Swift piecing together a tapestry in the textiles studio

Winter resident Nastassja Swift piecing together a tapestry in the textiles studio

Mia Kaplan and Nancy Sanderson work side by side in the metals studio

Mia Kaplan and Nancy Sanderson work side by side in the metals studio

Penland Winter Residency

Penland, NC, United States

Penland’s Winter Residency program is a short-term residency opportunity for artists seeking to work independently in one of our 16 media specific studios during Penland’s quiet season. Practicing artists of all backgrounds and at any stage of their career are encouraged to apply for a 2-week or 4-week session. Shared studio access is provided to a small number of artists each session; we invite enough people to encourage conversation and creative camaraderie, but not so many that focused time in the studio is compromised. Residents’ time is their own; there are no workshops, critiques, or required activities. Our goal is to support creative experimentation by offering artists the time, space, and equipment they need to advance professional development.

Penland Winter Residencies are for:

  • Artists needing access to facilities for research and development that can be supported by Penland’s well-equipped studios
  • Art educators and administrators who are seeking focused studio time during a winter break or sabbatical
  • Collaborating artists who want to work on a specific project or simply alongside one another in order to share technical expertise and/or creative inspiration
  • Art professionals who need time away from daily responsibilities and distractions to focus on a creative project
Contact

PO Box 37
Penland, NC 28765
United States

Year Founded
2015
Context
Rural
Remote
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in a craft school
Residency program within a school, college or university
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Retreat
Research
Experiential
Residency Length
2 weeks - 4 weeks
Languages
English
Average Number of Artists in Residence at a Time
50
Collaborative Residency
Must apply and be accepted individually
Discipline
Drawing
Mixed Media
Painting
Printmaking
Sculpture
Blacksmithing
Book Arts
Ceramics/Clay Arts/Pottery
Costume/Fashion Design
Digital Fabrication
Fine Metals/Jewelry
Glass Arts
Installation Arts
Paper Arts
Textile & Fiber Arts/Weaving
Woodworking
Photography
Graphic Design
Illustration
Public Art
Social Practice
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
N/A
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Participate in open studio with fellow residents
How does your residency program support artists?
Opportunity to be in another context
Immersion in new culture and/context
Unstructured time
Art production support
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Inspiration from natural environment
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Additional Eligibility Information

We encourage practicing artists of all backgrounds and at any stage of career to apply for a residency. We celebrate varied ideas, world views, and personal characteristics, and are committed to being an organization that welcomes and respects everyone regardless of age, ability, ethnicity, race, religion, philosophical or political beliefs, sexual orientation, gender identity or expression, nationality, geographic origin, and socioeconomic status.

Applications are reviewed by a national panel of artist peers, curators, educators, and other arts professionals who are looking for artists who demonstrate a proven level of proficiency in their work, engage in professional artistic practices, and present the ability to work independently in our studios. The panel’s dual goals are to reward artistic merit and achieve a diverse group of residents. Panelists rotate frequently to bring new perspectives to the application process.

All media supported by Penland’s studios are considered appropriate for the winter residency program.

Number of Artists Accepted in Most Current Year
116
Total Applicant Pool in Most Current Year
233
Artist Stipend
0
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
500
US Dollar (USD)
Fee Details

The residency fee is $500 for two weeks in all studios with the following exceptions:

$800 for two weeks in flameworking (fee includes gas and torches; lathe access available by request only, applicant must include this request in their proposal)

 $1,500 for two weeks in the hot shop (fee includes 8-hr/day Monday-Friday access minus safety orientation and clean up; use of annealers, torches, hand tools, and garage; 24-hr access to hot shop kilns and cold shop)

Artists are responsible for their travel expenses and must supply their own food; meals are not provided but all residents will have access to a shared kitchen (please note that your kitchen assignment may not be in the same building as your housing.)

Housing costs vary depending on your choice of housing; we offer housing levels from a shared double/common bath to a private room/private bath. You will indicate your housing preference on the application. Resident arrival is on Monday between 1:00 and 5:00 pm; departure is on Saturday by noon.

Housing Rates for Two Weeks

  • Double/common bath: $250
  • Double/bath shared with roommate: $300
  • Single/common bath: $350
  • Single/private bath: $500
Grant/Scholarship/Other Funding Support
500
US Dollar (USD)
Grant/Scholarship/Other Funding Support Details

Pending funding each year, we offer forty or more merit-based fellowships which remove the residency fee for a two-week residency. Available fellowships are limited; anyone is eligible to request funding, but preference will be given to first-time applicants who self-identify as artists of color or LGBTQIA+. Our dual goals are to reward artistic merit while achieving a diverse group of residents. 

Application Fee
30
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
High contrast, clear way-finding and/or signage
Staff/volunteer providing guidance to help locate facilities or activities
Is your campus wheelchair accessible?
Partially Accessible
Additional Accessibility Information

The Penland campus is located on uneven, hilly terrain that poses accessibility challenges. The following studios are wheelchair accessible: books, clay, drawing and painting, glass, iron, letterpress and printmaking, lower metals, photography, papermaking, and wood. The upper metals studio and both textiles studios have stairs that limit access; both are made partially accessible by stair lifts that will lift a person but not a wheelchair or other mobility aids.

Housing that meets ADA standards is available in Arbor House and in some units in The Roost, Dorm 54, Radcliffe, and the Sleeping Cabins. Accessible parking is found at the dining hall and at all studios. Several golf carts are available for use on campus.

While we do our best to accommodate all students, we know that our campus is not accessible for everyone. We are happy to talk with you about what our campus can or cannot do in this regard. Please contact our registrar to discuss in more depth how we can help you come to Penland: 828-765-2359, ext. 1306 or registrar@penland.org. And please know that improved access is part of our long-range campus planning.

We are working on adding more detailed accessibility information to this page. Please check back.

Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Ian Henderson
Accessibility Contact Email
operationsdir@penland.org
Accessibility Contact Phone Number
Type of Housing
Private housing on campus (individual apartment/cabin/house)
Private bedroom in a shared housing facility on campus
Shared bedroom
Accessible Housing
ADA Compliant
Partially Accessible (50% or more)
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
ADA Compliant
Additional Housing Information
No laundry access
WIFI available in housing
Housekeeping services
Meals Provided
Residents have access to shared kitchen
No meals are provided
Computer/Internet Access
Computer and internet connection provided in common area (shared)
Computer and internet connection provided in studio area (private)
Wireless Internet (WIFI)
Studios/Special Equipment
Shared Studios
Dedicated Studio/Shop Technicians - Part Time
Exhibition / Installation Space
Ceramics Workspace
Electric Wheels
Kick Wheels
Slab Roller
Clay Mixers
Plaster Room
Raku Kiln
Electric Kiln
Gas Kiln
Glass Blowing Workspace
Glass Casting
Dedicated Metal Shop
Heavy Metals / Blacksmithing
Fine Metals / Jewelry Making
Jeweler’s Bench
Anvils, Stakes + Hammers
Hydraulic Press
Soldering Workspace
Gas/Oxy Torches
Acetylene/Air Torches
Soldering Picks+Tweezers
Solderite Boards
Finishing Room
Bench Grinder
Buffing Machine
Bead Blaster
Casting Room
Enameling Kilns
Electroforming + Etching Room
Darkroom (Black And White)
Lighting Studio/Green Screen
Large Format Printer / Plotter
Printers + Scanner
Photo + Video Editing Suite
Painting Workspace (Oil)
Easels
Drawing Benches
Printmaking Workspaces
Book Arts Facilities
Etching Press
Glass Inking Table
Drying Racks
Aquatint Box
Hot Plates
Metal Plate Shear
Paper Soaking Sinks
Paper Tearing Table
Acid Room
Silkscreen Studio
Lithography Studio
Large Sinks
Large Exposure Unit
Washout Room
Papermaking Studio
Textiles Workspace
Floor Looms
Fiber Arts Workspace
Dye Area
Padded Screen Print Tables
Hooded Dye Mixing Station
Drying Room
Washer And Dryer
Dedicated Wood Shop
Woodworking Tools
Tablesaw
Bandsaw
Router Table
Wood Bending Equipment
Jointer
Planer
Wood Vises And Wood Working Table
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
Studios/facilities Details

Art in Education Workspace Residency

Art in Education Workspace Residency

Kingston, NY, United States

The Art-in-Education (AIE) Workspace Residency is for artists interested in working with local school students while creating their own work in WSW’s supportive and immersive environment. This is an opportunity for artists with a range of teaching experience, from seasoned teachers and professors, to those with minimal experience and an interest in gaining skills and knowledge.

The Art-in-Education program is a model for arts education and operates in conjunction with the Kingston City School District. AIE provides a high quality arts experience by bringing students to WSW’s professional artists’ workspace and giving them concentrated time to learn. Our staff and AIE program manager work with the school’s teachers and the resident artists to develop and execute a curriculum related to the students’ in-school work.

Resident artists must be able to teach intaglio, silkscreen, or hand papermaking, and are welcome to complete their personal work in any of WSW’s studios: intaglio, letterpress, papermaking, screenprinting, darkroom photography, or ceramics. All artists receive a thorough studio orientation and are expected to work independently, though studio staff is available to provide assistance. Deep technical assistance can be arranged for an additional fee. Artists must provide their own materials, some of which can be purchased from WSW.

Spring residency: During a five-week residency, artists teach fourth and/or eighth graders in WSW’s studios two days/wee

Contact

PO Box 489
Rosendale, NY 12472
United States

Year Founded
1974
Context
Rural
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Residency Length
4 weeks - 5 weeks
Languages
English
Average Number of Artists in Residence at a Time
4
Collaborative Residency
Must apply and be accepted individually
Discipline
Art Education
Book Arts
Interdisciplinary Arts
Paper Arts
Printmaking
Visual Arts
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
N/A
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Give artist talk or presentation
Teach in studio
How does your residency program support artists?
Opportunity to be in another context
Restricted funding
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Access to training on new artistic techniques and/or apprenticeship
Inspiration from natural environment
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Opportunities for work with the local community
Number of Artists Accepted in Most Current Year
2
Total Applicant Pool in Most Current Year
20
Artist Stipend
Travel Stipend/Material Stipends
Residency Fees
0
US Dollar (USD)
Grant/Scholarship/Other Funding Support
Application Fee
0
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Written and or hard copies of text being presented
Staff/volunteer giving directions
Staff/volunteer providing guidance to help locate facilities or activities
Contact info for accessibility requests for event/programming
Is your campus wheelchair accessible?
Partially Accessible
Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Carlie Waganer
Accessibility Contact Email
carlie@wsworkshop.org
Accessibility Contact Phone Number
How much of the residency experience can artists with limited mobility participate?

The silkscreen studio and the office are located up a flight of stairs on the second floor. Intaglio, papermaking, book arts, and letterpress studios are wheelchair accessible.

Please briefly describe the facilities and areas of the campus that are NOT accessible.

Some of the artist accommodations are not wheelchair accessible, and the second floor silkscreen studio and office are not wheelchair accessible.

Type of Housing
Private housing on campus (individual apartment/cabin/house)
Accessible Housing
Partially Accessible (50% or more)
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
ADA Compliant
Common/Communal Spaces Information

There is an accessible communal kitchen, laundry space, and gathering room.

Additional Housing Information
Access to laundry on campus
WIFI available in housing
Meals Provided
Residents have access to shared kitchen
Residents have access to private kitchen
Additional Meals Information
N/A
Computer/Internet Access
Wireless Internet (WIFI)
Studios/Facilities Details

WSW has been making quality handmade papers since 1979. Our Papermaking studio is designed for sheet-forming processes, low relief, and three-dimensional work.

In 1999, WSW began the ArtFarm program, which allows us to grow our own fibers  for hand papermaking. Through ArtFarm we’ve now tested over one hundred native and invasive species for their fiber strength, coloring capacity, print worthiness, and translucency.

Papermaking Studio Equipment List

  • 1000 sq. ft. studio space
  • Two 1-1/2 lb. Hollander beaters: one David Reina and one custom built
  • 30″ x 40″ hydraulic press
  • Vats up to 22″x 28″
  • 4′ x 6′ custom stainless steel vacuum table
  • A variety of moulds and deckles including small sugetas
  • 30″ x 40″ stack dryer
  • Outdoor cooking facility for fibers and dyes

In WSW’s Silkscreen studio, artists can screenprint on paper or fabric, using traditional or photo techniques. We only use water based/acrylic media. For a fee, we can also make screens for artists who are working on projects outside of our studios.

Silkscreen Studio Equipment List

  • 900 sq. ft. studio space
  • Exposing table 33″ x 45″
  • Drying rack 45″ x 68″
  • Wide range of screens up to 3′ x 4′
  • Power washer
  • Photo facilities for images up to 30″ x 40″
  • 32 linear feet of textile printing surface
  • Squeegees from 4″ to 34″

WSW’s Letterpress studio is equipped to handle projects that employ handset lead or wood type; photopolymer plates; wood or linoleum block; and die cut imagery.

Letterpress Studio Equipment List

  • 11″ x 18″ Chandler and Price platen press
  • Two 14″ x 18″ Vandercook Proof press No. 3 (manual)
  • One 19″ x 26″ Vandercook SP20 (electric)
  • A variety of lead and wooden typefaces
  • 9″ x 12″ magnetic base
  • 13″ x 24″ Line-O-Scribe proof press
  • Vacuum platemaker 23.5″ x 29.5″

Rather than use traditional acids to etch plates, Women’s Studio Workshop uses non-toxic materials: ferric chloride for copper and salt etch for aluminum and zinc. We generally stock copper and plastic plates, along with a selection of fine print and handmade papers.

Etching Studio Equipment List

  • 1200 sq. ft. studio space
  • Two Charles Brand press, 30″ x 50″ and 26″ x 48″
  • 18″ x 22″ viscosity rollers
  • A separate ventilated acid room with a 4’ x 29” workspace and stainless steel sink
  • Hot plate 20”x 24”
  • Flexible shaft rotary tool
  • 18″ x 24″ vertical tank with Ferric Chloride
  • Etching trays up to 25″ x 30″
  • Drying rack 30″ x 46″
  • Damp/dry box 28″ x 42″
  • Glass top inking table 26″ x 8′
  • Photopolymer platemaking capacity up to 23″ x 29″

WSW’s Book Arts equipment allow artists to create and bind work, ranging from the simplest saddle-stitched book to the finest codex.

Book Arts Studio Equipment List

  • Electric guillotine 33″ throat
  • Board shear (Jacques) 40″
  • Two book presses: 10″ x 13″ and 11″ x 16″
  • English sewing frame
  • English cutting frame
  • Standard wooden press
  • Cradles
  • Spiral binder
  • Saddle stitcher

WSW maintains a complete black and white darkroom, as well as limited digital facilities that may be used by special request. Artists can comfortably print up to 16”x 20” in this space.

Darkroom Studio Equipment List

  • Two Omega D2 enlargers with 35mm to 4″ x 5″ negative capacity
  • Omega B22XL enlarger
  • Bessler 4″ x 5″
  • Dry mount facilities
  • Contact frames up to 20″ x 25″
  • Saunders easels 11″ x 14″ and 24″ x 24″
  • Focus scopes
  • 100″ sink
  • Trays to 20″ x 24″

Artists working in any of our studios have access to the digital resources in our studio with assistance from a trained staff person. Additional resources are available through our relationship with the SUNY New Paltz Digital Fabrication Lab, and can be arranged on a case-by-case basis.

In-Studio Digital Resources List

  • 28″ Vinyl Plotter and Editing Software
  • 24″ Epson Printer
  • Large format scanner
  • HP Color Laser Printer
  • Kyocera Black and White Inkjet Printer
  • Xerox Machine
  • Adobe Creative Suite
Studios/Special Equipment
Shared Studios
Exhibition / Installation Space
Darkroom (Black And White)
Darkroom (Color)
Large Format Printer / Plotter
Large Format Scanner
Printers + Scanner
Photo + Video Editing Suite
Printmaking Workspaces
Book Arts Facilities
Etching Press
Glass Inking Table
Drying Racks
Hot Plates
Paper Soaking Sinks
Paper Tearing Table
Acid Room
Silkscreen Studio
Light Tables
Large Sinks
Large Exposure Unit
Washout Room
Papermaking Studio
Dye Area
Washer And Dryer
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff

Vashon Artist Residency

Vashon Island Residency with view of Quartermaster Harbor

Vashon Island Residency with view of Quartermaster Harbor

Studio spaces are accessible 24 hours a day to artists

Studio spaces are accessible 24 hours a day to artists

Point Robinson Park on Vashon Island

Point Robinson Park on Vashon Island

Artist takes a dive off of the residency dock after a long day in the studio.

Artist takes a dive off of the residency dock after a long day in the studio.

Vashon Artist Residency

Vashon , WA, United States

Vashon Artist Residency provides a diverse group of artists the time and space to create, the opportunity to engage with other residents and the experience of living and working amidst the ecology and community of Vashon Island located on the beautiful Salish Sea in Washington State.

We are committed to offering this opportunity to a diverse group of artists. We believe that welcoming artists from diverse backgrounds who develop and create differently, will stimulate growth and exploration for each individual and their cohort.

We currently offer numerous 3.5-week and one 2-week long, self-directed residencies to emerging, mid-career, and established artists working in the visual, literary, performing, media, and literary arts.

Located in a rural area, Vashon Artist Residency offers both communal living spaces and private spaces. Each artist has a private bedroom with a view of Quartermaster Harbor. Artists needing studio space have 24-hour access to a 250-square-foot space with natural light through full roll-up doors. Artists who do not require a studio have a writing desk in their bedroom.

Residents are responsible for supplies, shipping, travel and food. Any work an artist makes at Vashon Artist Residency will be theirs.

Contact

Kingsbury Road SW
Vashon , WA 98070
United States

Year Founded
2021
Context
Rural
Residency Structure
Stand-alone
Residency Program Type
Studio-based (with housing)
Retreat
Residency Length
2 weeks - 4 weeks
Languages
English
Average Number of Artists in Residence at a Time
4
Collaborative Residency
Must apply and be accepted individually
Discipline
Acting
Animation
Augmented Reality
Biology
Book Arts
Ceramics/Clay Arts/Pottery
Choreography
Costume/Fashion Design
Criticism
Dance
Digital Media
Documentary
Drawing
Ecology
Electronic Arts
Environmental Arts
Environmentalism/Conservation
Fiction
Film
Fine Metals/Jewelry
Illustration
Installation Arts
Interdisciplinary Arts
Journalism
Literature
Literary Nonfiction
Mixed Media
Moving Image
Multimedia Arts
Music
New Genres
Nonfiction
Opera
Painting
Paper Arts
Performance Art
Photography
Playwriting
Poetry
Printmaking
Public Art
Screenwriting
Sculpture
Social Practice
Sound Art
Storytelling
Symphony
Textile & Fiber Arts/Weaving
Theater
TV + Radio
Virtual Reality
Visual Arts
Woodworking
Writing
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
Residents granted leave during residency
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Participate in open studio with fellow residents
How does your residency program support artists?
Opportunity to be in another context
Immersion in new culture and/context
Unstructured time
Access to studio space to create new work
Inspiration from natural environment
Opportunities to develop relationships with local or regional artists/arts organizations
Opportunities to collaborate with local or regional artists/arts organizations
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Opportunities for work with the local community
Opportunities to exhibit or perform new work
Number of Artists Accepted in Most Current Year
44
Total Applicant Pool in Most Current Year
170
Artist Stipend
0
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
1875
US Dollar (USD)
Fee Details

Vashon Artist Residency employs a sliding scale fee structure: $1,875 for 3.5 weeks and $1,125 for 2 weeks, due 30 days before the start. We promote accessibility and equity by allowing artists to request partial or full fee coverage based on need.

Grant/Scholarship/Other Funding Support
500
US Dollar (USD)
Application Fee
25
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Materials in large print
Written and or hard copies of text being presented
High contrast, clear way-finding and/or signage
Staff/volunteer reading information aloud
Staff/volunteer giving directions
Staff/volunteer providing guidance to help locate facilities or activities
Contact info for accessibility requests for event/programming
Is your campus wheelchair accessible?
Partially Accessible
Additional Accessibility Information

Vashon Artist Residency seeks to support artists of diverse abilities, both visible and invisible. Prior to applying, artists that have specific questions or concerns about accessibility or how to manage movement, medication, or any other physical or emotional concerns, should contact us so that staff may determine if we are able to accommodate your needs. Staff will keep personal matters confidential except in an emergency situation.

Three studio spaces at Vashon Artist Residency are ADA accessible, however, our housing and sound studio are not. The Residency is situated on a slope that impacts accessibility at our facility. Parking and studios are accessed from a gravel driveway. Housing is down a concrete pathway and three sets of stairs from the parking area. Each bedroom must be accessed by stairs. The sound studio is located up the gravel driveway from the parking area and has a small path and three stairs at the entry.

Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Heather Dwyer
Accessibility Contact Email
Heather.Dwyer@vashonartistresidency.com
Accessibility Contact Phone Number
Other Services/Aids Offered in Residency + Other Programming

Many residents do not have transportation during their stay. The Residency is located along a rural road, but it is served by the King County Metro Bus, which is ADA accessible. Staff provide transportation to and from the ferry terminals, which are accessible by ferries in Pierce, Kitsap and King Counties. Staff also provides regular trips to the grocery store, library, and other needed services. A Community Access Van is available for organized trips on or off the Island.

How much of the residency experience can artists with limited mobility participate?

Residency studios are ADA accessible, but the home, built on a steep incline, is unfortunately not. Although we cannot currently support an artist requiring a wheeled device, we are responsive and welcome artists with disabilities to connect with us about how we can make their stay possible and successful. Dietary needs are accommodated and we work to make spaces fragrance-free. Our Residency Director is CPR Certified and has extensive experience with mental health and emergency services support on Vashon and within King County. 

Please briefly describe the facilities and areas of the campus that are NOT accessible.

While our studios are ADA accessible, the home, built on a steep incline, is unfortunately not. Although we cannot currently support an artist requiring a wheeled device, we are responsive and welcome artists with disabilities to connect with us about how we can make their stay possible and successful.

Type of Housing
Private bedroom in a shared housing facility on campus
Accessible Housing
Inaccessible
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
Inaccessible
Additional Housing Information
Access to laundry in housing
WIFI available in housing
Housekeeping services
Air Conditioned Housing
Heat and Cool control managed by resident
Meals Provided
Some meals (at least 2 meals provided)
Residents have access to shared kitchen
Additional Meals Information
Vegan meal options can be requested
Vegetarian meal options can be requested
Gluten-free meal options can be requested
Kosher and halal options can be requested
Food allergies and restrictions can be accommodated
Snack and beverage provided
Computer/Internet Access
Wireless Internet (WIFI)
Studios/Facilities Details

If an artist is assigned one of the three studios they will have 24-hour access to the space. Studios are approximately 250 square ft with 10 ft high ceilings, roll-up garage doors and natural light. There are doors between studios as well as individual access by roll-up doors. Studio walls go up to the ceiling. Doors have key codes for privacy. A covered outdoor area and shed offer a utility sink with hot and cold water, basic tools, drop cloths, etc. Residents are encouraged to discuss their artmaking needs with the Residency Director before arrival.

Two of our four bedrooms have ample desk space for writers. We offer monitors for those who may want one. The Shed also has a desk that may be used for writing, reading aloud or incorporating audio work. There are spaces throughout the home and outdoors where writers work as well. We have a printer/scanner that artists may use.

The Shed enables Vashon Artist Residency to host composers, musicians and sound artists, as well as other artists developing new work with sound including filmmakers, choreographers, theater artists, writers and interdisciplinary artists. This new space offers artists a private space for sound experimentation, which can lead to critical creative growth. The Shed is located in a stand-alone building that has been fully renovated for sound work. It is 170 square feet with walls, ceiling, and floor all made of high-quality soundproofing materials to prevent any external noise from disturbing artists' processes. The studio is also equipped with sound-absorbing materials to minimize any echo or reverberation. It has three impact-laminated windows and one door that offers natural light and a view of the Salish Sea. Cork flooring and heat keep the space cozy throughout the year.

We are fortunate to have a highly creative and generous community here on Vashon Island. We have numerous resources to assist artists during their time here. Artists have been able to borrow or rent performance space, equipment, musical instruments and tools from Island individuals and organizations. We encourage Residents to reach out to our Residency Director before their stay if they have specific needs for their creative practice.

Studios/Special Equipment
Private Studios
Music/Media Studio Non-recording
Painting Workspace (Oil)
Easels
Hot Plates
Large Sinks
Washer And Dryer
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
Air Conditioned
Heat and Cool control access