Know Your Value: Fundraising Strategies for Artist Residencies

Event Date and Time
June 16, 2022 1:00pm - 4:00pm

Virtual Event

Who has expressed interest in the resources and services you provide? How can you meaningfully engage your constituents to support your work? How do you translate your value proposition into a fundraising strategy?

In this session, you will learn how to create long-term strategies toward gaining (and keeping) fundraising support from corporate, individual and foundation sources. This workshop will suggest ways to build a fundraising strategy that speaks to your context and community. 

Learning Objectives:

  • Reflect on your program’s unique value proposition
  • Evaluate your current fundraising strategy 
  • Learn ways to build and strengthen relationships with stakeholders and audiences

Guest Presenters include:

  • Jennifer Shropshire, Non-profit Consultant
  • Edwige Charlot, Director of Community Learning, Artist Communities Alliance

ACA-member rates are $185 per session; $600 for the full series, plus Eventbrite fees. Non-member rates are $260 per session; $900 for the full series, plus Eventbrite fees. 

An email was sent to all ACA members with a discount code for registration. If you are a member and did not receive this code, please contact registration@artistcommunities.org

Register Now

Nuts + Bolts: Building your Residency’s Capacity

Event Date and Time
June 15, 2022 1:00pm - 4:00pm

Virtual Event

Do you have policies and processes that guide your work? What plans and systems would improve your capacity and make your work more efficient and effective? How do you evaluate your organization’s risk?

In this workshop, you will learn how to develop and implement structured and standardized processes to support your organization and residency program(s). This workshop will center ACA’s Five Pillars of a Healthy Residency Framework Rubric* developed by Lisa Funderburke Hoffman. 

 

Learning Objectives: 

  • Map your current practices, process and policies
  • Learn more effective and sustainable ways to construct systems and policies 
  • Evaluate your organization’s risk
  • Understand basic tenets of business continuity

*Five Pillars of a Healthy Residency Framework Rubric developed by the Artist Communities Alliance design team: Lisa Funderburke Hoffman, Executive Director; Edwige Charlot, Director of Community Learning; and Kate Strater Hogan; with generous support from the Andrew W. Mellon Foundation.

ACA-member rates are $185 per session; $600 for the full series, plus Eventbrite fees. Non-member rates are $260 per session; $900 for the full series, plus Eventbrite fees. 

An email was sent to all ACA members with a discount code for registration. If you are a member and did not receive this code, please contact registration@artistcommunities.org

Register Now

Saltonstall Residency for New York State Artists and Writers (Accessible and Parent-Friendly)

two contemporary brown shingled buildings with a large front lawn at sunset in summer

two contemporary brown shingled buildings with a large front lawn at sunset in summer

a black wire chair and small table on a stone patio overlooking a large green yard

a black wire chair and small table on a stone patio overlooking a large green yard

a carpeted room with vaulted ceiling, large writing desk, and chair positioned in front of two large windows

a carpeted room with vaulted ceiling, large writing desk, and chair positioned in front of two large windows

an accessible space with cement floors and a pivoting wall leading into a large studio

an accessible space with cement floors and a pivoting wall leading into a large studio

Saltonstall Residency for New York State Artists and Writers (Accessible and Parent-Friendly)

Organization

Constance Saltonstall Foundation for the Arts

Ithaca, NY, United States

A quiet studio. A beautiful setting. Time for inspiration.

Saltonstall offers free residencies to artists and writers who are current residents of New York State and/or one of the Indian Nations located therein. Our residencies are designed for those looking for a quiet, supportive environment in which to focus on their craft.

We offer 1- to 4-week sessions between June and October.

The week-long residency in early June is dedicated to artist/writer parents with at least one dependent child under the age of 18 at home. This residency is designed for the artist/writer parent alone. We are not able to accommodate children, spouses, partners, or collaborators.

Our categories include:

  • Poetry
  • Fiction & Creative Nonfiction
  • Photography (film or digital) & Filmmaking
  • Painting | Sculpture | Visual Arts

Each residency session includes the same combination of five artists and writers: one poet, one fiction or creative nonfiction writer, one photographer or filmmaker, and two visual artists. These residencies are designed for individual artists and writers; we cannot accommodate collaborations or partners working together.

All residencies (incl. the residency for artist/writer parents) function exactly the same way. Each group of five arrives and leaves together, and the application process for all residencies is also exactly the same.

Contact
Program Website
6075393146

435 Ellis Hollow Creek Rd
Ithaca, NY 14850
United States

Year Founded
1995
Context
Rural
Residency Structure
Stand-alone
Residency Program Type
Studio-based (with housing)
Retreat
Residency Length
1 week - 3 weeks
Languages
English
Average Number of Artists in Residence at a Time
5
Collaborative Residency
Must apply and be accepted individually
Discipline
Drawing
Mixed Media
Painting
Sculpture
Visual Arts
Fiction
Literary Nonfiction
Literature
Nonfiction
Playwriting
Poetry
Screenwriting
Film
Moving Image
Photography
Companions
Pets are not allowed
Country of Residence
Only open to artists based in country the program is located
Family Friendly
Childcare stipend provided
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Participate in open studio with fellow residents
Other
How does your residency program support artists?
Opportunity to be in another context
Unstructured time
Unrestricted funding
Access to studio space to create new work
Inspiration from natural environment
Opportunities to develop relationships with other artists/residents
Additional Eligibility Information
  • Must be a year-round resident of New York State or Indian Nations therein
  • Must be 21 years-old or older
  • Must apply as an individual
Number of Artists Accepted in Most Current Year
30
Total Applicant Pool in Most Current Year
654
Artist Stipend
200
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
0
US Dollar (USD)
Fee Details

The residency is free to attend.

Beginning with our 2023 season, a stipend of $200 will be offered to each residency Fellow. Additional stipend support (up to $1,000) will be offered based on financial need.

Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
0
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Full description of accessibility on campus
High contrast, clear way-finding and/or signage
Accessible seating
Staff/volunteer reading information aloud
Contact info for accessibility requests for event/programming
Is your campus wheelchair accessible?
ADA Compliant
Additional Accessibility Information

Our accessible spaces include:

  • an accessible bedroom with private bath and roll-in shower
  • a private studio
  • barrier-free access between the bedroom, studio, common area, kitchen, and laundry
  • a private one-bedroom suite for a caregiver
  • a universal design, accessible kitchen
  • a half-bath
  • accessible laundry facilities
  • a paved driveway
Caregiver/Aide/PCA
Housing available on campus
Accessibility Contact Name
Lesley Williamson
Accessibility Contact Email
lesley@saltonstall.org
Accessibility Contact Phone Number
607-539-3146
How much of the residency experience can artists with limited mobility participate?

All of the residency experience is accessible to those with limited mobility.

Please briefly describe the facilities and areas of the campus that are NOT accessible.

One building (our founder's house) is not accessible. While there are mowed paths through our fields, they might not be accessible to everyone.

Type of Housing
Private housing on campus (individual apartment/cabin/house)
Accessible Housing
Universally designed
Housing for Companion And/or Caregivers
Housing available
Accessible Communal Spaces
Universally designed
Common/Communal Spaces Information

The main house includes a kitchen and dining/living room spaces that are shared by three people. The studio building and accessible addition include a kitchen and large dining/common area, also shared by two-three people.

Additional Housing Information
Access to laundry in housing
WIFI available in housing
Air Conditioned Housing
Heat and Cool control managed by resident
Meals Provided
Some meals (at least 2 meals provided)
Residents have access to shared kitchen
Additional Meals Information
Vegan meal options can be requested
Vegetarian meal options can be requested
Gluten-free meal options can be requested
Kosher and halal options can be requested
Food allergies and restrictions can be accommodated
Snack and beverage provided
Computer/Internet Access
Computer and internet connection provided in studio area (private)
Wireless Internet (WIFI)
Studios/Facilities Details

Visual artists are provided with a separate private studio. The writers' suites are large live/work spaces. A sizeable darkroom is built in to one of the suites in the main house. Our accessible spaces (including a studio) are available to artists or writers. 

Studios/Special Equipment
Private Studios
Exhibition / Installation Space
Darkroom (Black And White)
Easels
Large Sinks
Washer And Dryer
Studios/Facilities Accessibility
Universally designed
Studio Support/Tech
Studio/facility orientation provided
No studio support provided
Air Conditioned
Heat and Cool control access
Residency LengthOpen Calls
1 week - 4 weeks2025 Residencies

Joan Mitchell Center Residency

Joan Mitchell Center. Photo by Tim Hursley.

Joan Mitchell Center. Photo by Tim Hursley.

Artist in a studio at the Joan Mitchell Center. Photo by Tim Hursley

Artist in a studio at the Joan Mitchell Center. Photo by Tim Hursley

Joan Mitchell Center. Photo by Tim Hursley.

Joan Mitchell Center. Photo by Tim Hursley.

Open Studio event at Joan Mitchell Center. Photo by Cfreedom Photography.

Open Studio event at Joan Mitchell Center. Photo by Cfreedom Photography.

Joan Mitchell Center. Photo by Tim Hursley.

Joan Mitchell Center. Photo by Tim Hursley.

Common area, Joan Mitchell Center studio building

Common area, Joan Mitchell Center studio building

Open Studio event at Joan Mitchell Center.

Open Studio event at Joan Mitchell Center.

Joan Mitchell Center Residency

Organization

Joan Mitchell Center

New Orleans, LA, United States

Residencies at the Joan Mitchell Center provide the crucial elements of time and space for artistic experimentation—while offering artists opportunities to engage with arts professionals, partner arts organizations, and others in the community. Light-filled private studios, digital media resources, and a stipend give artists the tools they need to experiment, focus on a new body of work, research, or simply reflect and recharge.

 

Artists-in-Residence receive:

  • A private studio in either the Spring or Fall residency session
  • Weekday meals
  • A $600 monthly stipend
  • A range of professional development and public engagement opportunities

New Orleans-based artists can apply for 5 month residencies. Former national Joan Mitchell Foundation grant recipients are eligible to apply for a 1 to 3 month residency, and are also provided on-campus living space, travel support, and a shipping reimbursement.

Contact
Program Website
1-504-940-2500

2275 Bayou Road
New Orleans, LA 70119
United States

Year Founded
2013
Context
Urban
Residency Structure
Stand-alone
Associated with a foundation
Residency Program Type
Studio-based (no housing)
Studio-based (with housing)
Residency Length
1 month - 5 months
Languages
English
Average Number of Artists in Residence at a Time
10
Collaborative Residency
May apply as a team
Discipline
Drawing
Interdisciplinary Arts
Mixed Media
Painting
Printmaking
Sculpture
Visual Arts
Installation Arts
Digital Media
Multimedia Arts
Photography
Companions
Pets are not allowed
Country of Residence
Only open to artists based in country the program is located
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Participate in public programming
Participate in open studio with fellow residents
How does your residency program support artists?
Opportunity to be in another context
Opportunity to travel
Immersion in new culture and/context
Unstructured time
Unrestricted funding
Art production support
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Inspiration from natural environment
Inspiration from cultural context
Professional development support and/or trainings
Opportunities to develop relationships with local or regional artists/arts organizations
Opportunities to develop relationships with other artists/residents
Additional Eligibility Information

The residency hosts visual artists working in any media at all points in their careers, from emerging artists working towards their first solo show, to mature artists reflecting on their life’s work. In late spring/early summer, New Orleans-based artists can apply through a free open call application, and former Joan Mitchell Foundation grant recipients are invited via email to apply. 

In order to meet program eligibility for the New Orleans Artists Open Call, individuals must meet the following criteria:

  • Identify as a visual artist and showcase a portfolio of work with a serious commitment to an artistic practice.
  • Live in New Orleans as your primary residence for at least 5 years or be a New Orleans native. Residents from both Orleans Parish and Jefferson Parish will be considered in this open call.
  • Complete and submit an application
  • Not be a past artist-in-residence at the Joan Mitchell Center

Up to two collaborating artists can apply jointly, provided that both artists are currently eligible (see criteria above). If applying as a team, please contact the Center before submitting your application.

Artist Stipend
Travel Stipend/Material Stipends
Residency Fees
Grant/Scholarship/Other Funding Support
Application Fee
What does your program provide during the residency experience?
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Captions for videos
Links to resources, effective practices, grievance procedures, etc.
Is your campus wheelchair accessible?
ADA Compliant
Additional Accessibility Information

The Center strives to be an inclusive and welcoming gathering place for artists and guests. With that in mind, we are continually working on improving accessibility at the Center for differently-abled individuals. All Center buildings have ADA accessible entry and exit points and bathrooms. The staff is ready, willing, and able to work with artists who have accessibility needs.

Please contact the staff if you require a trained Service Animal, as defined by the ADA. While Emotional Support Animals or Comfort Animals are often used as part of a medical treatment plan as therapy animals, they are not considered service animals under the ADA and will not be allowed.

Caregiver/Aide/PCA
Case by case consideration by staff
How much of the residency experience can artists with limited mobility participate?

All Center buildings have ADA-accessible entry and exit points and bathrooms. All Artists-in-Residence, including those with limited mobility, will receive: 

  • 24/7 access to their studios

  • Weekly stipend of $150

  • Support from the Center’s studio assistants

  • Prepared meals on-site and available Monday through Friday (except holidays) 

  • Regularly scheduled professional development and networking programming

 

Please briefly describe the facilities and areas of the campus that are NOT accessible.

All Center buildings have ADA-accessible entry and exit points and bathrooms. If you have accessibility considerations, we ask that you inform the Program Associate or Director in advance of your residency, so that we can make arrangements for your participation. 

Type of Housing
Private bedroom in a shared housing facility on campus
Accessible Housing
ADA Compliant
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
ADA Compliant
Common/Communal Spaces Information

Residents staying on campus have private bed/bath suites and share an adjacent communal kitchen/dining space. Residents have 24/7 access to the kitchen area. Additionally, there is a small communal kitchen and lounge in the studio building.

Additional Housing Information
Access to laundry on campus
Access to laundry in housing
WIFI available in housing
Housekeeping services
Air Conditioned Housing
Meals Provided
Some meals (at least 2 meals provided)
Residents have access to shared kitchen
Additional Meals Information
Vegan meal options can be requested
Vegetarian meal options can be requested
Gluten-free meal options can be requested
Kosher and halal options can be requested
Food allergies and restrictions can be accommodated
Snack and beverage provided
Computer/Internet Access
Computer and internet connection provided in common area (shared)
Wireless Internet (WIFI)
Ethernet provided in common area
Ethernet provided in living or studio area
Studios/Facilities Details

Artists have private studios/workspaces located on the Center’s campus and range in size from 170 - 786 square feet. Each studio is equipped with:

  • (1) Worktable
  • (1) Shelving unit
  • (1) Trash can
  • (1) Recycling bin
  • (1) Work chair
  • (1) Broom and dustpan
Studios/Special Equipment
Private Studios
Dedicated Studio/Shop Technicians - Part Time
Large Format Printer / Plotter
Printers + Scanner
Photo + Video Editing Suite
Studios/Facilities Accessibility
ADA Compliant
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by dedicated tech
Tech hours
Air Conditioned
Heat and Cool control access
Residency LengthOpen Calls
6 weeks - 14 weeks2026 Joan Mitchell Center Artist-in-Residence Program

Penland Resident Artist Program

Glass artist Kit Paulson works at the torch in her studio

Glass artist Kit Paulson works at the torch in her studio

Resident artist Andrew Meers forms hot steel

Resident artist Andrew Meers forms hot steel

Silversmith Adam Whitney hammers a copper form over a series of stakes

Silversmith Adam Whitney hammers a copper form over a series of stakes

Penland Resident Artist Program

Organization

Penland School of Craft

Penland, NC, United States

Penland’s Resident Artist Program, established in the 1960s, is one of the longest running residencies in the US. The program is designed for professional craft artists who are at a pivotal moment in their creative practice or career—the residency is an opportunity for them to pursue objectives that will have a lasting effect on their work and their lives. Depending on the nature of an applicant’s goals, we now offer two options for interested candidates.

  • 1-year project based residency; artists submit a project proposal and may use the time  to push technical and conceptual boundaries, to conduct research and development in a particular topic or process, or to explore an entirely new aspect of their work.  
  • 3-year career transition residency; artists submit objectives to advance their studio practice, to work out the practicalities of making a living, or to make a formative transition in their career path.
Contact
Program Website
+1-828-765-2359

PO Box 37
Penland, NC 28765
United States

Year Founded
1968
Context
Rural
Remote
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in a craft school
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Residency Length
1 year - 3 years
Languages
English
Average Number of Artists in Residence at a Time
7
Collaborative Residency
May apply as a team
Discipline
Blacksmithing
Book Arts
Ceramics/Clay Arts/Pottery
Drawing
Fine Metals/Jewelry
Glass Arts
Installation Arts
Mixed Media
Painting
Paper Arts
Photography
Printmaking
Public Art
Sculpture
Textile & Fiber Arts/Weaving
Woodworking
Companions
Pets (Non-service animals)
Country of Residence
Open to artists based anywhere in the world
Family Friendly
Residents granted leave during residency
Spouses/partners allowed for full stay (non-collaborators)
Children allowed for full stay
Stage of Career
Mid-career
Established
Additional Expectations/Opportunities
Donate a work of art
Participate in public programming
Participate in open studio with fellow residents
Give artist talk or presentation
How does your residency program support artists?
Opportunity to be in another context
Immersion in new culture and/context
Unstructured time
Art production support
Access to studio space to create new work
Access to training on new artistic techniques and/or apprenticeship
Inspiration from natural environment
Inspiration from cultural context
Professional development support and/or trainings
Opportunities to develop relationships with local or regional artists/arts organizations
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Opportunities for work with the local community
Opportunities to exhibit or perform new work
Additional Eligibility Information

We encourage self-motivated, focused individuals working in traditional and nontraditional studio crafts to apply for a residency. No prior connection to the school is required to apply. Penland celebrates varied ideas, world views, and personal characteristics, and is committed to being an organization that welcomes and respects everyone regardless of age, ability, ethnicity, race, religion, philosophical or political beliefs, sexual orientation, gender identity or expression, nationality, geographic origin, and socioeconomic status.

Applications are reviewed by a national committee of artist peers, curators, educators, and other arts professionals who are knowledgeable about material-based work and the craft field in general and/or understand what it takes to be successful in a self-directed residency. Panelists rotate frequently to bring a range of new perspectives to the application process, and creating a diverse group of residents is one of the stated goals of selection. 

 Applications are evaluated using the following criteria:

  • We factor equity and diversity into all of our decision making.
  • Portfolios are scored in these three areas: innovation, intention, and skill.
  • Applications must present a clear, compelling proposal for a 1-year project or 3-year objectives that can be well supported, informed, and inspired by a residency at Penland.
  • CVs are reviewed to determine if a candidate is actively engaged in professional artistic practices.
  • The particular qualities of the available studios and a balance of media will also be a factor.

All media taught at Penland are considered appropriate for the Resident Artist Program: books, clay, drawing/painting, glass, letterpress, iron, metals, papermaking, photography, printmaking, textiles, wood. Most resident studios are not media specific; however, the particular qualities of the available studios and the balance of media represented by the current group of resident artists sometimes limits each year’s openings to a range of media.

The experience of living at Penland is shaped in many ways by its rural location, its mountainous terrain, and by the age and nature of the facility. A successful residency depends in part on expectations consistent with what Penland has to offer.

 

Number of Artists Accepted in Most Current Year
4
Total Applicant Pool in Most Current Year
119
Artist Stipend
0
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
0
US Dollar (USD)
Fee Details

There is no cost to residents for housing, studio space, or utilities.

Artists are responsible for providing tools and equipment vital to their daily studio practices; resident artist studios are simply raw studio spaces. 

Artists are responsible for travel expenses to and from Penland

Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
30
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Pre-orientation
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Full description of accessibility on campus
High contrast, clear way-finding and/or signage
Is your campus wheelchair accessible?
Partially Accessible
Accessibility Statement/Info Page
https://penland.org/about/accessibility/
Additional Accessibility Information

The Penland campus is located on uneven, hilly terrain that poses accessibility challenges. The following studios are wheelchair accessible: books, clay, drawing and painting, glass, iron, letterpress and printmaking, lower metals, photography, papermaking, and wood. The upper metals studio and both textiles studios have stairs that limit access; both are made partially accessible by stair lifts that will lift a person but not a wheelchair or other mobility aids.

Housing that meets ADA standards is available in Arbor House and in some units in The Roost, Dorm 54, Radcliffe, and the Sleeping Cabins. Accessible parking is found at the dining hall and at all studios. Several golf carts are available for use on campus.

While we do our best to accommodate all students, we know that our campus is not accessible for everyone. We are happy to talk with you about what our campus can or cannot do in this regard. Please contact our registrar to discuss in more depth how we can help you come to Penland: 828-765-2359, ext. 1306 or registrar@penland.org. And please know that improved access is part of our long-range campus planning.

We are working on adding more detailed accessibility information to this page. Please check back.

Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Leslie Noell
Accessibility Contact Email
creativedirector@penland.org
Accessibility Contact Phone Number
828-765-2359, ext 1313
Type of Housing
Private housing on campus (individual apartment/cabin/house)
Accessible Housing
ADA Compliant
Partially Accessible (50% or more)
Inaccessible
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
ADA Compliant
Inaccessible
Additional Housing Information
Access to laundry on campus
Access to laundry in housing
WIFI available in housing
Heat and Cool control managed by resident
Meals Provided
Some meals (at least 2 meals provided)
Residents have access to private kitchen
Additional Meals Information
Vegan meal options can be requested
Vegetarian meal options can be requested
Computer/Internet Access
Computer and internet connection provided in common area (shared)
Computer and internet connection provided in studio area (private)
Wireless Internet (WIFI)
Studios/Facilities Details

The Resident Artist studios are clustered in and around a converted historic dairy barn and are located about half a mile down the road (a five minute walk) from Penland’s main campus. All studios have an open floor plan with one or two smaller areas for storage or dedicated use. Each studio is unique and each has its own idiosyncratic features in keeping with the age of the building and the fact that it wasn’t originally designed to be artists’ studios. Five of the studios are on the ground floor and have concrete floors; two of the studios are only accessible by stairs and have wood floors; each studio has a utility sink and access to a shared restroom. The average studio size is about 800 square feet. Each artist enjoys 24-hour access to their private studio.


Residents are responsible for outfitting their studios with equipment and tools relevant to their daily studio practice. Studios are not furnished, and each new resident will find a blank slate when they arrive. One-year residents must bring the tools and equipment they need to pursue their proposed project. Three-year residents bring everything they need to produce work and usually spend the first several weeks of their residencies setting up their studios before they begin to produce work. Our staff works closely with each new resident artist to make sure their studio meets basic needs in terms of utilities and safety; staff can also provide support for installing specialized or heavy equipment, accepting freight deliveries, and troubleshooting electrical or ventilation needs.

Studios/Special Equipment
Private Studios
Studios/Facilities Accessibility
Partially Accessible (50% or more)

Studio Workspace Residency

Studio Workspace Residency

Organization

Women's Studio Workshop

Kingston, NY, United States

The Studio Workspace Residency is an opportunity for artists to create new work and fully immerse themselves in WSW’s supportive environment. We invite applications from artists at any stage of their careers. This residency gives artists the gift of time, an uninterrupted period to live and work away from the stresses of daily life. Artists may choose to work in any one or more of our studios: intaglio, letterpress, papermaking, screenprinting, darkroom photography, or ceramics (facilities reopen 2026).

Artists receive a thorough studio orientation and are expected to work independently, although studio staff is available to provide assistance. Deep technical assistance can be arranged for an additional fee. Artists must provide their own materials, some of which can be purchased from WSW.

As of 2019, all workspace residencies are fully subsidized! This means that while artists are still responsible for their own travel, materials, meals, and other personal incidentals while in residence, WSW provides housing and studio space at no cost.

Contact
Program Website
8456589133

PO Box 489
Rosendale, NY 12472
United States

Year Founded
1974
Context
Rural
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Residency Length
4 weeks - 6 weeks
Languages
English
Average Number of Artists in Residence at a Time
4
Collaborative Residency
May apply as a team
Discipline
Book Arts
Interdisciplinary Arts
Multimedia Arts
Paper Arts
Printmaking
Visual Arts
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
N/A
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Give artist talk or presentation
How does your residency program support artists?
Opportunity to be in another context
Unstructured time
Restricted funding
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Additional Eligibility Information

Since our founding in 1974, Women’s Studio Workshop has been a professional artist studio dedicated to the creation of community, opportunity, empowerment, and development for women artists in all stages of their careers.  As we continue to serve this mission, we believe that we can honor our core values and address gender equity more fully by explicitly expanding our concept of gender beyond patriarchal frames of reference. 

WSW supports all women, trans, intersex, nonbinary, and genderfluid people in residencies and internships. Classes, studio rentals, and public events are open to all.

What does this mean when you visit the studio and stay on campus? 

  • we intentionally create space to honor pronouns and names
  • we uphold a set of community guidelines and have systems in place to report conflict
  • we firmly believe in fostering an environment of communication, exploration, and bold expression that is respectful, safe, and accepting of all the members of our community.
Number of Artists Accepted in Most Current Year
6
Total Applicant Pool in Most Current Year
175
Artist Stipend
0
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
0
US Dollar (USD)
Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
0
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Staff/volunteer providing guidance to help locate facilities or activities
Contact info for accessibility requests for event/programming
Is your campus wheelchair accessible?
Partially Accessible
Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Carlie Waganer
Accessibility Contact Email
carlie@wsworkshop.org
Accessibility Contact Phone Number
84565891
How much of the residency experience can artists with limited mobility participate?

Intaglio, papermaking, book arts, and letterpress studios are wheelchair accessible.

Please briefly describe the facilities and areas of the campus that are NOT accessible.

Some artist apartments are inaccessible, upstairs silkscreen studio and offices are inaccessible.

Type of Housing
Private housing on campus (individual apartment/cabin/house)
Accessible Housing
Partially Accessible (50% or more)
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
ADA Compliant
Common/Communal Spaces Information

Wheelchair accessible common room, kitchen, bathroom, and laundry spaces.

Additional Housing Information
Access to laundry on campus
Meals Provided
Residents have access to shared kitchen
Residents have access to private kitchen
Additional Meals Information
N/A
Computer/Internet Access
Wireless Internet (WIFI)
Studios/Facilities Details

WSW has been making quality handmade papers since 1979. Our Papermaking studio is designed for sheet-forming processes, low relief, and three-dimensional work.

In 1999, WSW began the ArtFarm program, which allows us to grow our own fibers  for hand papermaking. Through ArtFarm we’ve now tested over one hundred native and invasive species for their fiber strength, coloring capacity, print worthiness, and translucency.

Papermaking Studio Equipment List

  • 1000 sq. ft. studio space
  • Two 1-1/2 lb. Hollander beaters: one David Reina and one custom built
  • 30″ x 40″ hydraulic press
  • Vats up to 22″x 28″
  • 4′ x 6′ custom stainless steel vacuum table
  • A variety of moulds and deckles including small sugetas
  • 30″ x 40″ stack dryer
  • Outdoor cooking facility for fibers and dyes

In WSW’s Silkscreen studio, artists can screenprint on paper or fabric, using traditional or photo techniques. We only use water based/acrylic media. For a fee, we can also make screens for artists who are working on projects outside of our studios.

Silkscreen Studio Equipment List

  • 900 sq. ft. studio space
  • Exposing table 33″ x 45″
  • Drying rack 45″ x 68″
  • Wide range of screens up to 3′ x 4′
  • Power washer
  • Photo facilities for images up to 30″ x 40″
  • 32 linear feet of textile printing surface
  • Squeegees from 4″ to 34″

WSW’s Letterpress studio is equipped to handle projects that employ handset lead or wood type; photopolymer plates; wood or linoleum block; and die cut imagery.

Letterpress Studio Equipment List

  • 11″ x 18″ Chandler and Price platen press
  • Two 14″ x 18″ Vandercook Proof press No. 3 (manual)
  • One 19″ x 26″ Vandercook SP20 (electric)
  • A variety of lead and wooden typefaces
  • 9″ x 12″ magnetic base
  • 13″ x 24″ Line-O-Scribe proof press
  • Vacuum platemaker 23.5″ x 29.5″

Rather than use traditional acids to etch plates, Women’s Studio Workshop uses non-toxic materials: ferric chloride for copper and salt etch for aluminum and zinc. We generally stock copper and plastic plates, along with a selection of fine print and handmade papers.

Etching Studio Equipment List

  • 1200 sq. ft. studio space
  • Two Charles Brand press, 30″ x 50″ and 26″ x 48″
  • 18″ x 22″ viscosity rollers
  • A separate ventilated acid room with a 4’ x 29” workspace and stainless steel sink
  • Hot plate 20”x 24”
  • Flexible shaft rotary tool
  • 18″ x 24″ vertical tank with Ferric Chloride
  • Etching trays up to 25″ x 30″
  • Drying rack 30″ x 46″
  • Damp/dry box 28″ x 42″
  • Glass top inking table 26″ x 8′
  • Photopolymer platemaking capacity up to 23″ x 29″

WSW’s Book Arts equipment allow artists to create and bind work, ranging from the simplest saddle-stitched book to the finest codex.

Book Arts Studio Equipment List

  • Electric guillotine 33″ throat
  • Board shear (Jacques) 40″
  • Two book presses: 10″ x 13″ and 11″ x 16″
  • English sewing frame
  • English cutting frame
  • Standard wooden press
  • Cradles
  • Spiral binder
  • Saddle stitcher

WSW maintains a complete black and white darkroom, as well as limited digital facilities that may be used by special request. Artists can comfortably print up to 16”x 20” in this space.

Darkroom Studio Equipment List

  • Two Omega D2 enlargers with 35mm to 4″ x 5″ negative capacity
  • Omega B22XL enlarger
  • Bessler 4″ x 5″
  • Dry mount facilities
  • Contact frames up to 20″ x 25″
  • Saunders easels 11″ x 14″ and 24″ x 24″
  • Focus scopes
  • 100″ sink
  • Trays to 20″ x 24″

Artists working in any of our studios have access to the digital resources in our studio with assistance from a trained staff person. Additional resources are available through our relationship with the SUNY New Paltz Digital Fabrication Lab, and can be arranged on a case-by-case basis.

In-Studio Digital Resources List

  • 28″ Vinyl Plotter and Editing Software
  • 24″ Epson Printer
  • Large format scanner
  • HP Color Laser Printer
  • Kyocera Black and White Inkjet Printer
  • Xerox Machine
  • Adobe Creative Suite
Studios/Special Equipment
Shared Studios
Exhibition / Installation Space
Darkroom (Black And White)
Darkroom (Color)
Large Format Printer / Plotter
Large Format Scanner
Printers + Scanner
Photo + Video Editing Suite
Printmaking Workspaces
Book Arts Facilities
Etching Press
Glass Inking Table
Drying Racks
Hot Plates
Paper Soaking Sinks
Paper Tearing Table
Acid Room
Silkscreen Studio
Light Tables
Large Sinks
Large Exposure Unit
Washout Room
Papermaking Studio
Dye Area
Other
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
Studios/facilities Details
Residency LengthOpen Calls
4 weeks - 6 weeksStudio Workspace Residency: Women's Studio Workshop

Penland Core Fellowship Program

Core fellow Lars Shimabukuro working in the Penland wood studio

Core fellow Lars Shimabukuro working in the Penland wood studio

Core fellows Daniel Beck and Seth Gould working together in a blacksmithing workshop

Core fellows Daniel Beck and Seth Gould working together in a blacksmithing workshop

Core Fellow Tony Santoyo working between a large painting and ceramic surfaces

Core Fellow Tony Santoyo working between a large painting and ceramic surfaces

Penland Core Fellowship Program

Organization

Penland School of Craft

Penland, NC, United States

The Penland Core Fellowship Program is a two-year work-study fellowship for early career artists looking to expand technical skills and material fluency while working to support the day-to-day operations of a craft school. Artists of all backgrounds who want to advance their educational goals and explore their capacity to contribute to a thriving creative community are encouraged to apply. The goal of the program is to shape the future of contemporary craft by creating opportunity, connection, and immersive education for early career artists who bring a range of perspectives and goals to the school.

Penland core fellows fully engage with Penland by taking several workshops each year in familiar or new media, and performing integral jobs for the school. Penland’s ever-changing learning environment allows core fellows to study with world-class teaching artists from all over the US and abroad; this is a unique opportunity to create an educational path that responds to individual goals. The program can serve as preparation for careers in creative, non-profit, educational, and entrepreneurial sectors. A measure of the program’s success is the number of core fellows who have gone on to make a life in craft. To date over 200 people have participated in the program, and about 80% are practicing artists or professional contributors to the field of craft today.

The work that core fellows do for the school—jobs such as weekend cook, and entertainment coordinator—places them at the heart of Penland’s daily operations and gives them an opportunity to develop leadership skills and connect with artists from all over by working cooperatively towards a common goal. Core fellows are often a bridge between the staff and the studios and serve a unique role in helping others have a meaningful experience at Penland.

Core fellows live and work together and often learn as much from each other as they do from their instructors and mentors. In the process, they have a chance to form close friendships and often become part of each other’s lifelong creative and professional networks.

Contact
Program Website
+1-828-765-2359

PO Box 37
Penland, NC 28765
United States

Year Founded
1970
Context
Rural
Remote
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in a craft school
Residency program within a school, college or university
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Retreat
Experiential
Residency Length
2 years - 2 years
Languages
English
Average Number of Artists in Residence at a Time
8
Collaborative Residency
N/A
Discipline
Drawing
Mixed Media
Painting
Printmaking
Sculpture
Blacksmithing
Book Arts
Ceramics/Clay Arts/Pottery
Costume/Fashion Design
Fine Metals/Jewelry
Glass Arts
Paper Arts
Textile & Fiber Arts/Weaving
Woodworking
Photography
Companions
Pets are not allowed
Country of Residence
Only open to artists based in country the program is located
Family Friendly
N/A
Stage of Career
Emerging
Additional Expectations/Opportunities
Participate in open studio with fellow residents
Give artist talk or presentation
How does your residency program support artists?
Opportunity to be in another context
Immersion in new culture and/context
Art production support
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Access to training on new artistic techniques and/or apprenticeship
Inspiration from natural environment
Inspiration from cultural context
Professional development support and/or trainings
Opportunities to develop relationships with local or regional artists/arts organizations
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Opportunities for work with the local community
Opportunities to exhibit or perform new work
Additional Eligibility Information

Applications are reviewed by a national panel of curators, educators, and other arts professionals as well as Penland staff. Panelists rotate each year to bring a range of new perspectives to the application process, and creating a diverse group of fellows is one of the stated goals of selection.

Specifically, applications will be reviewed with the following goals in mind:

  1. Program Goals

    We believe the Core Fellowship Program can shape the future of contemporary craft by providing access to artists who can benefit from what this program has to offer—especially artists who have historically been underrepresented at the school and within the field of craft. 
  2. Collaboration and Group Dynamic

    Core fellows share a house and are involved in collaborative tasks and decision-making along with the normal complexities of group living. They also work and take classes with a constantly changing community of instructors and students. We are looking for participants who can thrive as part of a group and community but also know when and how to step away and recharge as needed. Our goal is to bring together a diverse group of artists with a range of experience, perspectives, strengths, and goals. It is also important that the interests of each core group span a range of media taught at Penland.
  3. Relevant Experience

    Core fellows are asked to do many different kinds of work, ranging from basic physical labor to supervisory tasks. They must be adaptive to changing tasks and situations and committed to working cooperatively and confidently, sometimes with minimal direction or supervision. Penland staff will review each candidate’s application, CV, and reference to evaluate relevant experience (employment, internships, or volunteer work) and specific skills and accomplishments (what kind of work you have done, what contributions you have made, the consistency of your commitments, practical and/or supervisory experience). In addition to work experience, life experience and self-motivation are assets for this program. 
  4. Artwork

    We are looking for work that shows a strong foundation and enough direction to tell us that the candidate will be able to take advantage of what this unique program offers. The review panel will score each portfolio in the following areas: proficient and/or intentional execution; clear/unique point of view; inquisitiveness and versatility; their interest in the work and its potential for growth. Candidates must be interested in working with materials and processes that are at the heart of our immersive workshops.
Number of Artists Accepted in Most Current Year
4
Total Applicant Pool in Most Current Year
130
Artist Stipend
13000
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
25
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Pre-orientation
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Links to resources, effective practices, grievance procedures, etc.
High contrast, clear way-finding and/or signage
Is your campus wheelchair accessible?
Partially Accessible
Accessibility Statement/Info Page
https://penland.org/about/accessibility/
Additional Accessibility Information

The Penland campus is located on uneven, hilly terrain that poses accessibility challenges. The following studios are wheelchair accessible: books, clay, drawing and painting, glass, iron, letterpress and printmaking, lower metals, photography, papermaking, and wood. The upper metals studio and both textiles studios have stairs that limit access; both are made partially accessible by stair lifts that will lift a person but not a wheelchair or other mobility aids.

Housing that meets ADA standards is available in Arbor House and in some units in The Roost, Dorm 54, Radcliffe, and the Sleeping Cabins. Accessible parking is found at the dining hall and at all studios. Several golf carts are available for use on campus.

While we do our best to accommodate all students, we know that our campus is not accessible for everyone. We are happy to talk with you about what our campus can or cannot do in this regard. Please contact our registrar to discuss in more depth how we can help you come to Penland: 828-765-2359, ext. 1306 or registrar@penland.org. And please know that improved access is part of our long-range campus planning.

We are working on adding more detailed accessibility information to this page. Please check back.

Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Ian Henderson
Accessibility Contact Email
operationsdir@penland.org
Accessibility Contact Phone Number
828-765-2359, ex 1324
Type of Housing
Private bedroom in a shared housing facility on campus
Accessible Housing
ADA Compliant
Housing for Companion And/or Caregivers
No housing accommodations available
Accessible Communal Spaces
ADA Compliant
Additional Housing Information
Access to laundry in housing
WIFI available in housing
Heat and Cool control managed by resident
Meals Provided
Some meals (at least 2 meals provided)
Residents have access to shared kitchen
Additional Meals Information
N/A
Vegan meal options can be requested
Vegetarian meal options can be requested
Computer/Internet Access
Computer and internet connection provided in common area (shared)
Computer and internet connection provided in studio area (private)
Wireless Internet (WIFI)
Studios/Special Equipment
Shared Studios
Dedicated Studio/Shop Technicians - Full Time
Exhibition / Installation Space
Ceramics Workspace
Electric Wheels
Kick Wheels
Slab Roller
Clay Mixers
Plaster Room
Raku Kiln
Electric Kiln
Gas Kiln
Glass Blowing Workspace
Glass Casting
Dedicated Metal Shop
Heavy Metals / Blacksmithing
Fine Metals / Jewelry Making
Jeweler’s Bench
Anvils, Stakes + Hammers
Hydraulic Press
Soldering Workspace
Gas/Oxy Torches
Acetylene/Air Torches
Soldering Picks+Tweezers
Solderite Boards
Finishing Room
Bench Grinder
Buffing Machine
Bead Blaster
Casting Room
Enameling Kilns
Electroforming + Etching Room
Darkroom (Black And White)
Lighting Studio/Green Screen
Large Format Printer / Plotter
Printers + Scanner
Photo + Video Editing Suite
Painting Workspace (Oil)
Easels
Drawing Benches
Printmaking Workspaces
Book Arts Facilities
Etching Press
Glass Inking Table
Drying Racks
Aquatint Box
Hot Plates
Metal Plate Shear
Paper Soaking Sinks
Paper Tearing Table
Acid Room
Silkscreen Studio
Lithography Studio
Large Sinks
Large Exposure Unit
Washout Room
Papermaking Studio
Textiles Workspace
Floor Looms
Fiber Arts Workspace
Dye Area
Padded Screen Print Tables
Hooded Dye Mixing Station
Drying Room
Washer And Dryer
Dedicated Wood Shop
Woodworking Tools
Tablesaw
Bandsaw
Router Table
Wood Bending Equipment
Jointer
Planer
Wood Vises And Wood Working Table
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
Studios/facilities Details
Residency LengthOpen Calls
2 years - 2 yearsCore Fellowship Program: 2-year craft education fellowship

Kimmel Harding Nelson Center for the Arts

Kimmel Harding Nelson front door

Kimmel Harding Nelson front door

Kimmel Harding Nelson Center for the Arts

Organization

Kimmel Harding Nelson Center for the Arts

Nebraska City, NE, United States

Since 2001, KHN has hosted more than 50 working artists each year. Each has found privacy in which to create along with ample opportunities to interact with fellow residents in the vibrant rural town of Nebraska City, Nebraska. KHN's facilities house up to five residents at a time, generally in the mix of two visual artists, two writers, and one composer. Residency awards are 2 to 8 weeks in length. Each awardee receives a $175 stipend per week, housing, and a private studio. 

Contact
Program Website
1-402-874-9600

801 Third Corso
Nebraska City, NE 68410
United States

Year Founded
2001
Context
Rural
Residency Structure
Stand-alone
Associated with a foundation
Residency Program Type
Studio-based (with housing)
Residency Length
2 weeks - 8 weeks
Languages
English
Average Number of Artists in Residence at a Time
5
Collaborative Residency
Must apply and be accepted individually
Discipline
Animation
Augmented Reality
Book Arts
Costume/Fashion Design
Criticism
Digital Fabrication
Digital Media
Documentary
Drawing
Ecology
Electronic Arts
Environmental Arts
Environmentalism/Conservation
Fiction
Film
Graphic Design
Illustration
Installation Arts
Interdisciplinary Arts
Journalism
Literary Nonfiction
Literature
Mixed Media
Moving Image
Multimedia Arts
Music
New Genres
Nonfiction
Opera
Painting
Paper Arts
Performance Art
Photography
Playwriting
Poetry
Printmaking
Screenwriting
Sculpture
Social Practice
Sound Art
Storytelling
Symphony
Textile & Fiber Arts/Weaving
Translation
Visual Arts
Writing
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
Residents granted leave during residency
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Donate a work of art
Participate in open studio with fellow residents
Give artist talk or presentation
How does your residency program support artists?
Opportunity to be in another context
Immersion in new culture and/context
Unstructured time
Access to studio space to create new work
Opportunities to develop relationships with other artists/residents
Additional Eligibility Information

KHN hosts two application cycles each year: March 1st and September 1st. The March deadline determines awards for the second half of the current year (July – December), and the September deadline determines the first half of the following year (January – June). All applications must be submitted through our online application portal (via Slideroom), and there is a $35 fee to apply.

Number of Artists Accepted in Most Current Year
78
Total Applicant Pool in Most Current Year
574
Artist Stipend
175
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
0
US Dollar (USD)
Grant/Scholarship/Other Funding Support
0
US Dollar (USD)
Application Fee
35
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Manual / handbook before arrival
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Staff/volunteer providing guidance to help locate facilities or activities
Is your campus wheelchair accessible?
Partially Accessible
Caregiver/Aide/PCA
No housing accommodations available
Accessibility Contact Name
Amy Smith
Accessibility Contact Email
info@khncenterforthearts.org
Accessibility Contact Phone Number
4028749600
Type of Housing
Private bedroom in a shared housing facility on campus
Accessible Housing
Partially Accessible (50% or more)
Housing for Companion And/or Caregivers
No housing accommodations available
Accessible Communal Spaces
ADA Compliant
Additional Housing Information
Access to laundry on campus
WIFI available in housing
Air Conditioned Housing
Heat and Cool control managed by resident
Meals Provided
Food stipend provided
Additional Meals Information
N/A
Computer/Internet Access
Computer and internet connection provided in common area (shared)
Wireless Internet (WIFI)
Studios/Facilities Details

Visual artists work in one of three studios, two of which are approximately 425 square feet and one that is 258 square feet, outfitted with work tables, running water, and storage shelves. Donated hand tools and power tools, a bandsaw and compound miter saw, and painting easels are available. The studios feature full-spectrum LED track lighting with moveable fixtures, as well as overhead daylight fluorescent fixtures. The two larger studios have garage doors that may be opened to face the alley. 

For printmakers, KHN offers a letterpress studio with a Vandercook Sp15 press and a standard proof press. The Harry Duncan Letterpress Studio also features a variety of furniture and fonts, as well as a boxcar base for resident use. Please email the KHN staff if you are interested in using the letterpress during your residency. 

Composers are provided a studio equipped with a Hailun HU1 Upright Piano with the Kioshi Silent System, wireless internet, surge protector, two Dynaudio Acoustics BM5A monitors, Sony Monitor headphones, a Mackie 4-channel compact mixer, HP VH240a 23.8” monitor, and cables to connect them. M-Audio 49-key USB controller keyboard. The composer’s studio is spacious, comfortable, and quiet, but not soundproof. 

A private writer’s studio is located within each of the double-occupancy apartments featuring computer desks, wireless internet, and surge protector. A shared printer is available in the residents' lounge.

Studios/Special Equipment
Private Studios
Piano
Printers + Scanner
Music/Media Studio Non-recording
Painting Workspace (Oil)
Easels
Drawing Benches
Printmaking Workspaces
Drying Racks
Large Sinks
Woodworking Tools
Bandsaw
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
No studio support provided
Air Conditioned
Heat and Cool control access
Residency LengthOpen Calls
2 weeks - 8 weeks2025 Session 2 Residencies

Penland Winter Residency

Glass artist Ying Chiun Lee working in the hot shop during Winter Residency

Glass artist Ying Chiun Lee working in the hot shop during Winter Residency

Winter resident Vivian Chiu gets some assistance on the lathe from wood studio staff

Winter resident Vivian Chiu gets some assistance on the lathe from wood studio staff

Winter resident Nastassja Swift piecing together a tapestry in the textiles studio

Winter resident Nastassja Swift piecing together a tapestry in the textiles studio

Mia Kaplan and Nancy Sanderson work side by side in the metals studio

Mia Kaplan and Nancy Sanderson work side by side in the metals studio

Penland Winter Residency

Organization

Penland School of Craft

Penland, NC, United States

Penland’s Winter Residency program is a short-term residency opportunity for artists seeking to work independently in one of our 16 media specific studios during Penland’s quiet season. Practicing artists of all backgrounds and at any stage of their career are encouraged to apply for a 2-week or 4-week session. Shared studio access is provided to a small number of artists each session; we invite enough people to encourage conversation and creative camaraderie, but not so many that focused time in the studio is compromised. Residents’ time is their own; there are no workshops, critiques, or required activities. Our goal is to support creative experimentation by offering artists the time, space, and equipment they need to advance professional development.

Penland Winter Residencies are for:

  • Artists needing access to facilities for research and development that can be supported by Penland’s well-equipped studios
  • Art educators and administrators who are seeking focused studio time during a winter break or sabbatical
  • Collaborating artists who want to work on a specific project or simply alongside one another in order to share technical expertise and/or creative inspiration
  • Art professionals who need time away from daily responsibilities and distractions to focus on a creative project
Contact
Program Website
+1-828-765-2359

PO Box 37
Penland, NC 28765
United States

Year Founded
2015
Context
Rural
Remote
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in a craft school
Residency program within a school, college or university
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Retreat
Research
Experiential
Residency Length
2 weeks - 4 weeks
Languages
English
Average Number of Artists in Residence at a Time
50
Collaborative Residency
Must apply and be accepted individually
Discipline
Drawing
Mixed Media
Painting
Printmaking
Sculpture
Blacksmithing
Book Arts
Ceramics/Clay Arts/Pottery
Costume/Fashion Design
Digital Fabrication
Fine Metals/Jewelry
Glass Arts
Installation Arts
Paper Arts
Textile & Fiber Arts/Weaving
Woodworking
Photography
Graphic Design
Illustration
Public Art
Social Practice
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
N/A
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Participate in open studio with fellow residents
How does your residency program support artists?
Opportunity to be in another context
Immersion in new culture and/context
Unstructured time
Art production support
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Inspiration from natural environment
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Additional Eligibility Information

We encourage practicing artists of all backgrounds and at any stage of career to apply for a residency. We celebrate varied ideas, world views, and personal characteristics, and are committed to being an organization that welcomes and respects everyone regardless of age, ability, ethnicity, race, religion, philosophical or political beliefs, sexual orientation, gender identity or expression, nationality, geographic origin, and socioeconomic status.

Applications are reviewed by a national panel of artist peers, curators, educators, and other arts professionals who are looking for artists who demonstrate a proven level of proficiency in their work, engage in professional artistic practices, and present the ability to work independently in our studios. The panel’s dual goals are to reward artistic merit and achieve a diverse group of residents. Panelists rotate frequently to bring new perspectives to the application process.

All media supported by Penland’s studios are considered appropriate for the winter residency program.

Number of Artists Accepted in Most Current Year
116
Total Applicant Pool in Most Current Year
233
Artist Stipend
0
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
500
US Dollar (USD)
Fee Details

The residency fee is $500 for two weeks in all studios with the following exceptions:

$800 for two weeks in flameworking (fee includes gas and torches; lathe access available by request only, applicant must include this request in their proposal)

 $1,500 for two weeks in the hot shop (fee includes 8-hr/day Monday-Friday access minus safety orientation and clean up; use of annealers, torches, hand tools, and garage; 24-hr access to hot shop kilns and cold shop)

Artists are responsible for their travel expenses and must supply their own food; meals are not provided but all residents will have access to a shared kitchen (please note that your kitchen assignment may not be in the same building as your housing.)

Housing costs vary depending on your choice of housing; we offer housing levels from a shared double/common bath to a private room/private bath. You will indicate your housing preference on the application. Resident arrival is on Monday between 1:00 and 5:00 pm; departure is on Saturday by noon.

Housing Rates for Two Weeks

  • Double/common bath: $250
  • Double/bath shared with roommate: $300
  • Single/common bath: $350
  • Single/private bath: $500
Grant/Scholarship/Other Funding Support
500
US Dollar (USD)
Grant/Scholarship/Other Funding Support Details

Pending funding each year, we offer forty or more merit-based fellowships which remove the residency fee for a two-week residency. Available fellowships are limited; anyone is eligible to request funding, but preference will be given to first-time applicants who self-identify as artists of color or LGBTQIA+. Our dual goals are to reward artistic merit while achieving a diverse group of residents. 

Application Fee
30
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
High contrast, clear way-finding and/or signage
Staff/volunteer providing guidance to help locate facilities or activities
Is your campus wheelchair accessible?
Partially Accessible
Accessibility Statement/Info Page
https://penland.org/about/accessibility/
Additional Accessibility Information

The Penland campus is located on uneven, hilly terrain that poses accessibility challenges. The following studios are wheelchair accessible: books, clay, drawing and painting, glass, iron, letterpress and printmaking, lower metals, photography, papermaking, and wood. The upper metals studio and both textiles studios have stairs that limit access; both are made partially accessible by stair lifts that will lift a person but not a wheelchair or other mobility aids.

Housing that meets ADA standards is available in Arbor House and in some units in The Roost, Dorm 54, Radcliffe, and the Sleeping Cabins. Accessible parking is found at the dining hall and at all studios. Several golf carts are available for use on campus.

While we do our best to accommodate all students, we know that our campus is not accessible for everyone. We are happy to talk with you about what our campus can or cannot do in this regard. Please contact our registrar to discuss in more depth how we can help you come to Penland: 828-765-2359, ext. 1306 or registrar@penland.org. And please know that improved access is part of our long-range campus planning.

We are working on adding more detailed accessibility information to this page. Please check back.

Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Ian Henderson
Accessibility Contact Email
operationsdir@penland.org
Accessibility Contact Phone Number
828-765-2359, ext 1324
Type of Housing
Private housing on campus (individual apartment/cabin/house)
Private bedroom in a shared housing facility on campus
Shared bedroom
Accessible Housing
ADA Compliant
Partially Accessible (50% or more)
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
ADA Compliant
Additional Housing Information
No laundry access
WIFI available in housing
Housekeeping services
Meals Provided
Residents have access to shared kitchen
No meals are provided
Computer/Internet Access
Computer and internet connection provided in common area (shared)
Computer and internet connection provided in studio area (private)
Wireless Internet (WIFI)
Studios/Special Equipment
Shared Studios
Dedicated Studio/Shop Technicians - Part Time
Exhibition / Installation Space
Ceramics Workspace
Electric Wheels
Kick Wheels
Slab Roller
Clay Mixers
Plaster Room
Raku Kiln
Electric Kiln
Gas Kiln
Glass Blowing Workspace
Glass Casting
Dedicated Metal Shop
Heavy Metals / Blacksmithing
Fine Metals / Jewelry Making
Jeweler’s Bench
Anvils, Stakes + Hammers
Hydraulic Press
Soldering Workspace
Gas/Oxy Torches
Acetylene/Air Torches
Soldering Picks+Tweezers
Solderite Boards
Finishing Room
Bench Grinder
Buffing Machine
Bead Blaster
Casting Room
Enameling Kilns
Electroforming + Etching Room
Darkroom (Black And White)
Lighting Studio/Green Screen
Large Format Printer / Plotter
Printers + Scanner
Photo + Video Editing Suite
Painting Workspace (Oil)
Easels
Drawing Benches
Printmaking Workspaces
Book Arts Facilities
Etching Press
Glass Inking Table
Drying Racks
Aquatint Box
Hot Plates
Metal Plate Shear
Paper Soaking Sinks
Paper Tearing Table
Acid Room
Silkscreen Studio
Lithography Studio
Large Sinks
Large Exposure Unit
Washout Room
Papermaking Studio
Textiles Workspace
Floor Looms
Fiber Arts Workspace
Dye Area
Padded Screen Print Tables
Hooded Dye Mixing Station
Drying Room
Washer And Dryer
Dedicated Wood Shop
Woodworking Tools
Tablesaw
Bandsaw
Router Table
Wood Bending Equipment
Jointer
Planer
Wood Vises And Wood Working Table
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
Studios/facilities Details

Art in Education Workspace Residency

Art in Education Workspace Residency

Organization

Women's Studio Workshop

Kingston, NY, United States

The Art-in-Education (AIE) Workspace Residency is for artists interested in working with local school students while creating their own work in WSW’s supportive and immersive environment. This is an opportunity for artists with a range of teaching experience, from seasoned teachers and professors, to those with minimal experience and an interest in gaining skills and knowledge.

The Art-in-Education program is a model for arts education and operates in conjunction with the Kingston City School District. AIE provides a high quality arts experience by bringing students to WSW’s professional artists’ workspace and giving them concentrated time to learn. Our staff and AIE program manager work with the school’s teachers and the resident artists to develop and execute a curriculum related to the students’ in-school work.

Resident artists must be able to teach intaglio, silkscreen, or hand papermaking, and are welcome to complete their personal work in any of WSW’s studios: intaglio, letterpress, papermaking, screenprinting, darkroom photography, or ceramics. All artists receive a thorough studio orientation and are expected to work independently, though studio staff is available to provide assistance. Deep technical assistance can be arranged for an additional fee. Artists must provide their own materials, some of which can be purchased from WSW.

Spring residency: During a five-week residency, artists teach fourth and/or eighth graders in WSW’s studios two days/wee

Contact
Program Website
8456589133

PO Box 489
Rosendale, NY 12472
United States

Year Founded
1974
Context
Rural
Residency Structure
Embedded in an arts or cultural organization (including theater + gallery)
Embedded in historic site
Residency Program Type
Studio-based (with housing)
Residency Length
4 weeks - 5 weeks
Languages
English
Average Number of Artists in Residence at a Time
4
Collaborative Residency
Must apply and be accepted individually
Discipline
Art Education
Book Arts
Interdisciplinary Arts
Paper Arts
Printmaking
Visual Arts
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
N/A
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Give artist talk or presentation
Teach in studio
How does your residency program support artists?
Opportunity to be in another context
Restricted funding
Access to studio space to create new work
Access to equipment, specialized facilities and/or technical support
Access to training on new artistic techniques and/or apprenticeship
Inspiration from natural environment
Opportunities to collaborate with other artists/residents
Opportunities to develop relationships with other artists/residents
Opportunities for work with the local community
Number of Artists Accepted in Most Current Year
2
Total Applicant Pool in Most Current Year
20
Artist Stipend
Travel Stipend/Material Stipends
Residency Fees
0
US Dollar (USD)
Grant/Scholarship/Other Funding Support
Application Fee
0
US Dollar (USD)
Application Type
Open application
What does your program provide during the residency experience?
Manual / handbook before arrival
Communication before arrival to discuss accommodations, medical conditions, or other health needs
Orientation upon arrival
Contact information and available accommodations for programs, events, and campus
Full description of accessibility on campus
Written and or hard copies of text being presented
Staff/volunteer giving directions
Staff/volunteer providing guidance to help locate facilities or activities
Contact info for accessibility requests for event/programming
Is your campus wheelchair accessible?
Partially Accessible
Caregiver/Aide/PCA
Case by case consideration by staff
Accessibility Contact Name
Carlie Waganer
Accessibility Contact Email
carlie@wsworkshop.org
Accessibility Contact Phone Number
8456589133
How much of the residency experience can artists with limited mobility participate?

The silkscreen studio and the office are located up a flight of stairs on the second floor. Intaglio, papermaking, book arts, and letterpress studios are wheelchair accessible.

Please briefly describe the facilities and areas of the campus that are NOT accessible.

Some of the artist accommodations are not wheelchair accessible, and the second floor silkscreen studio and office are not wheelchair accessible.

Type of Housing
Private housing on campus (individual apartment/cabin/house)
Accessible Housing
Partially Accessible (50% or more)
Housing for Companion And/or Caregivers
Case by case consideration
Accessible Communal Spaces
ADA Compliant
Common/Communal Spaces Information

There is an accessible communal kitchen, laundry space, and gathering room.

Additional Housing Information
Access to laundry on campus
WIFI available in housing
Meals Provided
Residents have access to shared kitchen
Residents have access to private kitchen
Additional Meals Information
N/A
Computer/Internet Access
Wireless Internet (WIFI)
Studios/Facilities Details

WSW has been making quality handmade papers since 1979. Our Papermaking studio is designed for sheet-forming processes, low relief, and three-dimensional work.

In 1999, WSW began the ArtFarm program, which allows us to grow our own fibers  for hand papermaking. Through ArtFarm we’ve now tested over one hundred native and invasive species for their fiber strength, coloring capacity, print worthiness, and translucency.

Papermaking Studio Equipment List

  • 1000 sq. ft. studio space
  • Two 1-1/2 lb. Hollander beaters: one David Reina and one custom built
  • 30″ x 40″ hydraulic press
  • Vats up to 22″x 28″
  • 4′ x 6′ custom stainless steel vacuum table
  • A variety of moulds and deckles including small sugetas
  • 30″ x 40″ stack dryer
  • Outdoor cooking facility for fibers and dyes

In WSW’s Silkscreen studio, artists can screenprint on paper or fabric, using traditional or photo techniques. We only use water based/acrylic media. For a fee, we can also make screens for artists who are working on projects outside of our studios.

Silkscreen Studio Equipment List

  • 900 sq. ft. studio space
  • Exposing table 33″ x 45″
  • Drying rack 45″ x 68″
  • Wide range of screens up to 3′ x 4′
  • Power washer
  • Photo facilities for images up to 30″ x 40″
  • 32 linear feet of textile printing surface
  • Squeegees from 4″ to 34″

WSW’s Letterpress studio is equipped to handle projects that employ handset lead or wood type; photopolymer plates; wood or linoleum block; and die cut imagery.

Letterpress Studio Equipment List

  • 11″ x 18″ Chandler and Price platen press
  • Two 14″ x 18″ Vandercook Proof press No. 3 (manual)
  • One 19″ x 26″ Vandercook SP20 (electric)
  • A variety of lead and wooden typefaces
  • 9″ x 12″ magnetic base
  • 13″ x 24″ Line-O-Scribe proof press
  • Vacuum platemaker 23.5″ x 29.5″

Rather than use traditional acids to etch plates, Women’s Studio Workshop uses non-toxic materials: ferric chloride for copper and salt etch for aluminum and zinc. We generally stock copper and plastic plates, along with a selection of fine print and handmade papers.

Etching Studio Equipment List

  • 1200 sq. ft. studio space
  • Two Charles Brand press, 30″ x 50″ and 26″ x 48″
  • 18″ x 22″ viscosity rollers
  • A separate ventilated acid room with a 4’ x 29” workspace and stainless steel sink
  • Hot plate 20”x 24”
  • Flexible shaft rotary tool
  • 18″ x 24″ vertical tank with Ferric Chloride
  • Etching trays up to 25″ x 30″
  • Drying rack 30″ x 46″
  • Damp/dry box 28″ x 42″
  • Glass top inking table 26″ x 8′
  • Photopolymer platemaking capacity up to 23″ x 29″

WSW’s Book Arts equipment allow artists to create and bind work, ranging from the simplest saddle-stitched book to the finest codex.

Book Arts Studio Equipment List

  • Electric guillotine 33″ throat
  • Board shear (Jacques) 40″
  • Two book presses: 10″ x 13″ and 11″ x 16″
  • English sewing frame
  • English cutting frame
  • Standard wooden press
  • Cradles
  • Spiral binder
  • Saddle stitcher

WSW maintains a complete black and white darkroom, as well as limited digital facilities that may be used by special request. Artists can comfortably print up to 16”x 20” in this space.

Darkroom Studio Equipment List

  • Two Omega D2 enlargers with 35mm to 4″ x 5″ negative capacity
  • Omega B22XL enlarger
  • Bessler 4″ x 5″
  • Dry mount facilities
  • Contact frames up to 20″ x 25″
  • Saunders easels 11″ x 14″ and 24″ x 24″
  • Focus scopes
  • 100″ sink
  • Trays to 20″ x 24″

Artists working in any of our studios have access to the digital resources in our studio with assistance from a trained staff person. Additional resources are available through our relationship with the SUNY New Paltz Digital Fabrication Lab, and can be arranged on a case-by-case basis.

In-Studio Digital Resources List

  • 28″ Vinyl Plotter and Editing Software
  • 24″ Epson Printer
  • Large format scanner
  • HP Color Laser Printer
  • Kyocera Black and White Inkjet Printer
  • Xerox Machine
  • Adobe Creative Suite
Studios/Special Equipment
Shared Studios
Exhibition / Installation Space
Darkroom (Black And White)
Darkroom (Color)
Large Format Printer / Plotter
Large Format Scanner
Printers + Scanner
Photo + Video Editing Suite
Printmaking Workspaces
Book Arts Facilities
Etching Press
Glass Inking Table
Drying Racks
Hot Plates
Paper Soaking Sinks
Paper Tearing Table
Acid Room
Silkscreen Studio
Light Tables
Large Sinks
Large Exposure Unit
Washout Room
Papermaking Studio
Dye Area
Washer And Dryer
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Studio Support/Tech
Studio/facility orientation provided
Studio support provided by staff
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